| |
Skip navigation
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
|
|
|
|
|
|
|
|
|
Nobuko Kawata
(29 years old. Born in Japan. Lives in: London)
Chelsea College of Art and Design
From my experience of moving from place to place since childhood, I have been conscious of the things I leave behind and the place I belong to, experiencing my ‘shifting’ state of identity in different environments.
The objects I collect are mostly fragmented part of familiar objects that are thrown away from everyday usage: toilet paper roll, tire tube, tea bags, scraps from studios, partition board with holes. After their use and function, and released from one’s possession or system, objects are abstracted and left anonymous with a sense of lost-identity.
These objects are arranged in ensembles through balancing its physicality, where the pure form, color, and materiality take over the original use value. They meet at a tangent point, unsuspended by neither being glued nor nailed; they are more likely just ‘being there’ temporally in the space they share, in dialogue with the other objects.
My work explores the sculptural language of a state of ‘pause’, a suspension of both weightlessness and timelessness, with the familiar and identifiable objects’ physicality. This moment of objects ‘in shift’, is pursued through my concentrated and poetic dialogue with the objects.
Processed through my intuitive engagement with objects, places, and repetition (of materials or gestures) in a searchingly and playful way, the haptic sensory and ritualistic nature is inherent. This I believe bridges the nature of both everyday gestures, craftsmanship, and the ancient alchemical process.
|
|
|
Work of art I would like to make
I am currently exploring the arrangement of objects in relation to the space and its architectural feature, where the framework of my work extends its formal ‘edge’. The condition of objects not being fixed inhere its nature of adjustability in response to the situation and environment that is never the same.
If I could get the opportunity to exhibit for the 4 New Sensations, I would like to pursuit this current practice in the exhibition space. The way and manner of how the objects are assembled I believe would serve to activate the space to be experienced more deeply and sensitively. |
|
My Artworks (6)
Click on the images to enlarge
|
|
|
 
Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
|
|
|
)
)
)
)
)
)
back
to top
