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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Adam Henry
(25 years old. Born in United Kingdom. Lives in: Swansea)
Swansea Metropolitan University
I have recently graduated from Swansea Metropolitan University where I studied Photojournalism BA(Hons).
My images portray elements of British society which I believe people generally overlook. I like my subject matter to invoke the viewer’s thoughts, giving them a fresh opinion.
This work usually involves the urban landscape which I photograph on a 6x7 medium format camera to capture intricate detail.
I am excit ...[more]
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Work of art I would like to make
As a lapsed skateboarder now turned photojournalist, with a dedicated interest in British social issues (especially in relation to our city space), I feel obligated to put forward the somewhat unreported and strangled viewpoint of the U.K. skate community.
The premise of my latest photographic work therefore is to bring to light the harsh realities faced by skateboarders over recent years and to explore the evident need to suppress their actions through expulsion and rejection from our city centres.
Throughout the nation an abundance of controlling and, arguably, over exhaustive anti-skate measures/devices are endlessly being hammered into the fabric of our so called ‘public spaces’.
‘Skate stoppers’, being the foremost example of such devices, are essentially chunks of metal added to benches and ledges to impede skateboarder’s use of an area, in order to stop these ledges being grinded away or ‘vandalised’ by them. Yet this later addition to the pre-existing architecture has itself been dubbed as ‘corporate vandalism’. Furthermore, this seemingly crude solution (when viewed in a wider context) subsequently infringes upon societies use of ‘public space’.
I am consequently compelled to communicate these issues in my work, acting as a voice for the wood pushing subculture to which I once belonged, whilst simultaneously engaging the viewer in an unconsidered subject matter which provokes them to reassess the city. |
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My Artworks (6)
Click on the images to enlarge
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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