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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Bonnie Jenkins
(27 years old. Born in Australia. Lives in: Falmouth)
Falmouth University College
I am from Australia and currently studying my MA Fine Art; Contemporary
Practice, in Cornwall. Having worked primarily in photography, I am using
my time during my MA to incorporate other mediums into my practice,
such as video, animation and drawing. My work aims to stir people out of
their habitual consciousness by re-engaging fresh ways of looking at the
familiar. I acknowledge that the wondrous occurrences found ...[more]
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Work of art I would like to make
I am encouraged to continue utilizing the new processes i have been experimenting with as feel there is great potential for development. Using videos I have recently captured, i will incorporate them into another process
in the studio, similar to that used in my 'Swanpool' film. The technique
involves adding another layer to the film by placing glass in between the
projected film and projector. The initial footage captured can slowly be
revealed through this process with the materials used in the studio
relating to the elements found in the initial film. The initial films feature
abstract, intentionally out-of-focus imagery captured on my routine walks
in an effort to slow my senses and become more aware of the visuals right
in front of my eyes. In order to notice the footage suitable for capture,
using the out of focus technique, I have to change my whole way of
seeing. This has in turn led me to observe and appreciate different
aspects of nature that I would normally take for granted. This way of
looking is best described as ‘childhood fresh vision’, seeing things anew.
'The world in 25 years time'...There is a fear that even in childhood this
vision is being diminished and that the world of electronic illusions is far
more exciting than the’ more-than-human world’. It could be said that in
many cases children are being over stimulated and lack the ability to
notice the slight rhythms of life, causing a lack of intimacy with the living
world. Each year that passes our gaze becomes more habitual and
familiarity causes the beauty around us to be dimmed. I still engage with
my childhood wonder but fear that in time the world will seem over
familiar and have nothing new to offer me, even though I know this not to
be true. In the next 25 years, as adults and children, we must maintain
our intrigue in the ‘more than human world’ and re-engage with the
wonder filled eyes of the very first day.
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My Artworks (6)
Click on the images to enlarge
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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