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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Jacqueline Cheval
(27 years old. Born in United Kingdom. Lives in: Leicester)
De Montfort University
About myself and my work
Recent Graduate from a joint BA course in Photography & Video and Fine Art.
Due to my course choice my final degree work culminated in 2 exhibitions:
One Moment Please
Central to One Moment Please are experiments with time's inherent ambiguous multi-dimensional qualities, ranging its focus on layered divergence and coalescence, expressing aspects of unexpectedness, contingency and variations (such as on the experience of the everyday), to the question of how various sound interpretations of the same visual edit would alter the viewer’s perception and relation to the work.
Though I have only included here 2 musicians' readings of the piece, the final work evolved to a set of musical versions consisting of one visual composition and four distinct aural landscapes.
The project title refers to the unresolved question according to which parameters one should orient oneself in order to define the beginning and end point of one single moment.
Aishtese - Aisthanomai (Greek = “to perceive, feel and sense”)
This 2 - channel installation with hourly live cello performance intensely utilises a dragonfly’s precise flight coordination as an analogy to the fitful, hypnotic complex of interpenetrating processes that constitute seeing.
Besides it questions our underlying driving forces in the act of looking and investigates the idea, that visual choices have the potential of initiating so called “aesthetic experiences”.
The cello’s repeating attempts to respond to an insect-like object reminds of ones own seeing, being in and out of consciousness in the act of registration.
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Work of art I would like to make
I envision continuing exploring Aishtese-Aisthanomai’s ideas but through new and challenging approaches while always placing importance on maintaining a high level interaction and connection to the audience. |
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My Artworks (6)
Click on the images to enlarge
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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