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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Jennifer Jayarajah
(44 years old. Born in United Kingdom. Lives in: Plymouth)
Plymouth College of Art and Design
This body of work is the culmination of experimentation with stitch, as a process, a concept and within feminist discourse. As a process stitch has been used to join together pieces of feminised (softened) glass using copper wire. As a concept it considers, mending, joining, renewal and regeneration.
Stitch remains significant in feminist discourse, even if not the artists declared intention.
The incorporation of shadows was ...[more]
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Work of art I would like to make
Limitations of kiln size and costs prohibited the creation of larger scale pieces for my degree show. I would love the opportunity to create enormous pieces that could be suspended outside a building. I would source a type of toughened glass that could be feminised in a kiln and stitched together with copper. From this huge sculpture I would project a false shadow, although at times its authentic shadow would be visible.
In response to the theme the world in 25 years, I have looked back 25 years to see what changes have taken place with regards to the visibility of women artists and artists of colour. The Guerrilla Girls poster – Do women have to be naked to get into the Met demonstrated in 1985 that 5% of artists in the modern art section were women, they recently revised the poster to show that it was now 3%, these statistics are reflected in Britain.
Matthew Collings recalled, in his column in Modern Painters of a time when he decided to look through a Time Out for exhibitions by women artists. He found only one by Lorraine Leeson. “Unfortunately I couldn’t bring myself to go…how did anyone get pleasure from it?” With this idea of pleasure in mind I would strive to make a piece that would not only remind us of discrimination and question who is visible in the artworld but also bring “pleasure”, precipitating a significant shift in the perception of feminist art over the next 25 years.
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My Artworks (6)
Click on the images to enlarge
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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