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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Jenny Core
(23 years old. Born in United Kingdom. Lives in: Manchester)
The University of Huddersfield
Art is a mimesis of reality; the reality being the everyday. This reality that we have become accustomed to has been appropriated. This alternate 'reality', which has been created, embraces humorous obscurities by acknowledging the mundane and the ludicrous. The work is an investigation that explores where the alternate reality is present and where it ceases to exist.
As the study of these interpretations of the obscure and the 'uncanny' commences through interdisciplinary means, what is asked of the viewer is their engagement. The spectator should approach the works with an open mind to experience this alternate world with alternate rules.
There are playful notions present amongst these ambiguities displayed through simplistic aesthetics, which mimics that of Postmodernist views. I have "become a manipulator of signs more than a producer of art objects and the viewer an active reader of messages rather than a passive manipulator of the aesthetic", (Obsborne and Sturgis, 2006).
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Work of art I would like to make
The contemporary art world is a vessel for legitimisation and is almost too familiar to this constant scrutiny works go through to obtain an interpretation and a response. I want to reflect on this notion of ‘scrutiny’, a constant form of ‘looking’ and engagement that the audience and the artist experiences with art.
I propose to invite the viewer into an alternate space, a space of an alternate reality, a fantasy, where one may appear in many places at once. The viewer becomes the work within this space created by digital means.
This ludicrous invention of creating a space through our technological advances will be created by a live feed and projection. The live feed will record the projection and the projection will project the live feed. With this form of constant looking it will create a series of alternate spaces projected within our own space, our reality. The audience can respond to themselves and see how they can shift through several spaces and interact with the art world. |
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My Artworks (5)
Click on the images to enlarge
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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