| |
Skip navigation
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
|
|
|
|
|
|
|
|
|
Sally Colledge
(41 years old. Born in United Kingdom. Lives in: Peacehaven)
Northbrook College Sussex
I make ephemeral structures and installations that explore themes of multiplicity and fragility. My work is process-led and focuses on the innate characteristics of materials. I typically use multiple readymade objects or expanses of a single material and apply a repetitive process to them, allowing the inherent qualities of the materials and the space in which the installation is shown, to play a part in determining the form of the work. Using familiar objects and materials in an unfamiliar way, I challenge the viewer�s perception of them, transforming the commonplace into something unexpected and strange. I am influenced by the work of artists such as Eva Hesse, Tom Friedman, Mona Hatoum, Anish Kapoor and Christo and Jeanne-Claude.
|
|
|
Work of art I would like to make
I would like to build a structure from densely-clustered cocktails sticks. The form of the work would largely be determined by the space in which it is made or displayed but I would like to build either a wall or perhaps several pillars. Each cocktail stick would be individually dipped in red and reddish-black latex and allowed to dry. This process would make them sticky and, when randomly piled, they would knit together creating a kind of crosshatch effect. If I were to build a wall it would reach above head height and may span the width of the gallery, while the pillars would extend from floor to ceiling. I would expect the work to have a slightly unnerving effect due to the spiky nature of the sticks and the colours used. The crosshatch effect would create interesting shadows which would fall over the viewer as they walked around the wall or pillars. |
|
My Artworks (6)
Click on the images to enlarge
|
|
|
 
Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
|
|
|
)
)
)
)
)
)
back
to top
