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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW


TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-Pablo Picasso
-Paul Cezanne
-Gustav Klimt
-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
-Henry Moore
-Cindy Sherman
-Jeff Koons
-Tracey Emin
-Damien Hirst
-Yves Klein
-Henri Rousseau
-Chaim Soutine
-Arshile Gorky
-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
-Juan Gris
-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
-Louise Bourgeois
-Marc Chagall
-Gerhard Richter
- Balthus
-Joan Miro
-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
-Alfred Stieglitz
-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
-Richard Hamilton
-Clyfford Still
-Luc Tuymans
-Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE
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Introduction - Harvard University

The principal educational goal of the Visual and Environmental Studies Department (VES) is to provide students in a liberal arts college with an opportunity to gain an understanding of visual art and expression through both study and practice. The department aims to foster a dialogue among makers, critics, and theorists, and accordingly its faculty comprises individuals representing all of these areas. The courses they offer fall into several areas, including the studio arts, photography, filmmaking, film studies, environmental studies, and critical theory. The department’s symbolic and functional home is the Carpenter Center for the Visual Arts, built in 1963, and is the only building designed by Le Corbusier in North America. The building contains art studios, photography darkrooms, film and video screening facilities, faculty offices, and departmental administrative offices. Additionally, the department occupies space in the top floor and the lower level of Sever Hall, which contains faculty offices, film and video editing equipment, film and video screening facilities, as well as an extensive Film Study Library.

All curricular areas within the concentration begin with an introductory program, then move to more advanced courses and may culminate in a thesis or senior-year tutorial. A course of study can be tailored to accommodate the demands of any visual or theoretical approach to art practice.

Students apply to concentrate in VES; and in order to be accepted students must do two things. 1. They must take a course in the department, preferably one related to their area of interest. That course must be taken in advance of the application. 2. They must also maintain a B average. For those wishing to apply to the studio and film/video areas, an introductory studio or production course is required in advance of the application. For assistance in choosing an appropriate first course, students are encouraged to consult with the Director of Undergraduate Studies, the Director of Undergraduate Studies for Film Studies (for those interested in a focus on Film Studies), or the department’s the Academic Services Coordinator.

Ordinarily, introductory-level courses in VES are designated with 2-digit course numbers and more advanced courses with 3-digit course numbers. Those interested in the studio area can choose from among several introductory courses in the studio arts and photography, which are generally course numbers VES 10-49. Students interested in the film/video area should take a course in photography, video, or animation, which are generally course numbers VES 40-59(Note: VES 50, the year-long introductory filmmaking course, is ordinarily taken by concentrators in their sophomore year). Students interested in Film Studies should take Literature & Arts B-11, (The Art of Film); VES 71 (Silent Cinema), or VES 72 (Sound Cinema). These three courses are required and either offers an excellent introduction to the Film Studies track.

There is no formal tutorial program in VES. Since most VES courses are small studio courses or seminars with close interactions between students and faculty, preparation for a senior thesis is begun in these studios and seminars and is often carried to completion in a VES 99 tutorial during the senior year.

If you are interested in talking with someone in VES about specific courses, constructing a Plan of Study, or the possibility of concentrating, you should speak with either the Director of Undergraduate Studies (Robb Moss, 617-496-6614, robbmoss@fas.harvard.edu), Director of Undergraduate Studies for Film Studies (JD Connor, 617-496-6799, jdconnor@fas.harvard.edu,) or, Academic Services Coordinator (Michael Lawrence, mlawrenc@fas.harvard.edu, 617-496-4469). They are available throughout the year to discuss any questions you might have or any plans you are considering. (JD Connor will be on leave of absence in the fall term 2006-07).


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