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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Should art be done by the artist.? |
There has been a lot said recently about artists coming up with ideas and getting others to make the art piece for them.
This has of cause been going on for a very long time.
When one artist decided to paint with his own brush he was recently ridiculed.
Should art be done by the artist? A lot of money is made in some cases, but is the art piece still original if made by someone else. I would of thought that a real artist would have wanted to do the piece of work him or her self from start to finish.
If they loved what they where doing and where genuine.
What do you think? |
By Chris Summerfield
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"When one artist decided to paint with his own brush he was recently ridiculed."
Of course, what else could be expected when acting that ridiculous. |
By owhereman
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Hi Chris, and O,Well what have we here lets say I have an idea re an image, I express the image to a third party, I say a third party as a thought may well have been a surpressed memmory from someone else,and then this other person relates my/? idea to canvas, what is wrong with that, I would have thought that could be fun, why? well its like your best mate rogering your best gal while your standing by just to see if he missed a bit, hopeing he does then its your right to fill in, works for me. !!! |
By santana
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yes well i do liken the idea of not making your own work to watching someone rogering something instead of rogering it yourself. In that respect one wonders who took the photographs, or why would you re-photograph something instead of settign up the shot yourself, even if it fails to make the point exactly - most people would still get it wouthout having the actual thing itself in the picture - which gets at the sort of illusionism that art used to be known for before peopel with no skill or talent got into the mix.
WHich brings one to the elitist argument that art requires skill and talent - which is of course open for debate.
It does seem that art is a sort fo safe zone for privileged hacks to masquerade - a point of view that is of course to be ridiculed as positively preposterous because it is in fact the truth.
But if it is true, then what value does the masquerade offer? Dwarfs at the court? Courtesans at the table? Mayhap the Egyptian mummers might enlighten us:
http://www.veoh.com/browse/videos/category/educational/watch/v83070625fbnBQgM |
By mendicant
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