SELECTED WORKS BY A.L. Steiner
Muse-Off (Layla and Mr. Fister)
81 x 61 cm
A.L. Steinerâs raunch gets full throttle in Out of Focus. Itâs all about, as Roberta Smith notes, âalmost nothing but women having a blast being womenâ (or wimmin or womyn or wymin, as Steiner herself suggests, happily tossing grenades into the English language and ripping to shreds any left-over conventional proprieties).
K8 And Excavation
61 x 81 and 48 x 33 cm
But Smith credits the artist (aka âa sceptical queer ecofeminist androgyne hustling as a cultural worker in late-capitalistic economyâ) with some serious things to say about the politics of the body: it comes down to photographs which are âutterly straightforward about their true content, which is nothing more or less than equalityâ*.
Melissa With Lipstick
81 x 61 cm
I suspect Steiner herself might find this too polite and abstract. Sex is fundamental to her art and her life, she maintains, and demands constant creativity and invention. Speaking of her work with fellow artist A.K. Burns (Steiner is a great collaborator)
Surviving Is Criminal, Modernity Is Pornographic
4 digital c-prints, various dimensions
Overall dimensions: 121.9 x 45.7 cm
She states her belief âthat queer sex and feminist agency is a shared acknowledgement of reciprocal penetration â physically, psychologically. The universe wants us to playâŠ WE ARE WIDE OPEN.â
Untitled (C.L.U.E., White)
45.75 x 61 cm
But pictures like Melissa with Lipstick, or Surviving is Criminal, Modernity is Pornographic donât spare us the dark side of that penetration. Love needs hate, certainty needs doubt, clarity needs confusionâŠ So why not celebrate with a queer little pas de deux in an automobile graveyard?
Queer Is The New Black
Portfolio of 77 C-prints
33 x 48.3 cm each, Overall size: 216 x 280 cm
Text by William A Ewing
* Roberta Smith, âArt in Review: A.L. Steinerâ, The New York Times, 29 December 2006.