Aleksandra Mir
Cold War
2005
felt tip pen on paper
305 x 483 cm |
Click on images to enlarge
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Beauty Free, Cold War Hot Stuff and Real Real Estate Flowers belong to a series of twenty huge drawings created by Aleksandra Mir and a team of sixteen assistants – mainly students and art school graduates - as part of a non-stop "Sharpie marathon" held in a temporary East Village studio, New York, during the month of May 2005. Each work consists of eight sheets of paper, pieced together in a landscape format, the common feature of which is an outlined map of the United States.
Retro text and motifs evoking idealist 1960s Americana such as the draft, the baby boom, Civil War, road trips, the space race, the Bicentennial, love and God were sketched by Mir overnight and filled in by her helpers working in shifts each day and evening using black Sharpie felt tips pens. The process of collaboration, and the use of atypical materials – in this case a humble household marker pen – are similarly integral to the artist's working practice.
Beauty Free is a commentary on the American Civil War, a bloody conflict dominated by the issue of slavery which began in 1860 when Confederate states in the south declared their independence and claimed the right of secession from the union. The southern states are here labelled "free", the letters spelled out in stars from the country's flag, while the northern states are threaded together by one long, continuous, looping stripe and the word "beauty". Cold War Hot Stuff employs the same device – stars in the form of snowflakes above and stripes in the form of sunbeams below – to create a contrast of warm and cold, light and dark, and, in a more overtly political sense, good and evil. Real Real Estate Flowers, probably the most psychedelic of the three, maps the officially designated flowers of each state.
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Aleksandra Mir
Beauty Free
2005
Felt tip pen on paper
305 x 483 cm |
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Aleksandra Mir
Real Estate Flowers
2005
Felt tip pen on paper
305 x 483 cm |
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NEWSROOM 1986-2000, 2007
News becomes history as soon as it is reported. What fascinates me in talking about history is the paradoxical movement backwards while obviously propelling ahead with a story into the future. The 15-year time period covered in the show is of a recent past, a past that still unites many New Yorkers in recognition of a city at once familiar and long gone. The NYC tabloids New York Daily News and New York Post serve as practical tools that unite the population around shared joys and fears; they help spread the city's gossip and form its identity.
Whether one buys them or not, a glance at the headlines while passing by a deli or waiting for a bus is enough to be connected to the diverse masses that make up their readership. Never mind if what is reported is mostly disaster or scandal. In retrospect, news before
9/11/2001 makes this megalopolis look like a quaint town full of petty crooks, with this accident or that occasional murder resulting in the loss of a single life. A rape in Central Park and a love triangle on Long Island were the two longest running news stories of New York in the 15 years leading up to the end of the millennium.
In research for the show at the Mary Boone gallery in September-October 2007, three assistants and myself spent months in the NYC Public Library copying 10,000 covers of the two tabloids - the outcome of their combined cover stories of 15 years. From these, I selected around 200 that were particularly poignant, or which formed an ongoing narrative, but most importantly, that made me smile with recognition. I lived in New York between 1989 and 2005, 15 years that roughly coincide with the time period of the show. As I never had a studio in the city, I developed a practice that relied heavily on communication instead: phone, Internet, publishing, travel, performance, ephemera, event production. The show drew on all of the above.
During the two months of the duration of the show, I created an environment that primitively simulated a newsroom of a major agency or newspaper. The material output of the agency took the form of drawings, which for me were traces of activities such as reading, moving, talking, remembering and reporting. Together with a team of assistants, I created 200 drawings (out of which 21 are exhibited here) inspired by the aforementioned tabloid covers and my personal references to them. The gallery was turned into the studio I never had; at the same time, we produced art at a schedule more akin to a news agency than to that of an artist's studio. Every day, there was new art and old news on the walls.
Aleksandra Mir
July 2007 / August 2008
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Saatchi Gallery Project Room
Aleksandra Mir: Newsroom 1986-2000, 2007
Cops and Teens
21 drawings, marker on paper
188 x 147.3 cm each |

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Aleksandra Mir
Cops and Teens
Cops Bagged (9th July 1992)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Cop Lived For His Son (20th May 1997)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Cop Lied (19th August 1997)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
He Won't Be A Cop Again (30th September 1994)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Ex-Cop In Big Tix Fix (8th February 1996)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Fugitive Cop Kills Self (8th November 1986)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Cop's Widow Speaks
(30th May 1998)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Cowboys or Cops?
(20th August 1986)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Cops Capture Graffiti King
(20th August 1986)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Psycho Cop
(12th July 1994)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
More Cops On The Way
(6th August 1991)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Cop Shoots Teen In Back
(29th January 1990)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Teen Tourist Vanishes Here
(24th August 1987)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Why Teen Had Her Dad Killed
(14th September 1987)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Slashed Teen Played Possum
(12th May 1988)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Killing Spree Teen Seized
(10th January 1988)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Teens For Sale
(4th June 1992)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
Cop Shot
(27th July 1998)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
2 Cops Shot
(23rd August 1994)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
3 Cops Shot
(19th January 1996)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Cops and Teens
4 Cops Shot
(13th August 2000)
2007
21 drawings, marker on paper
188 x 147.3 cm each |
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Aleksandra Mir
Stock Market: '87 Crash
Wall St. Bloodbath
(19th October 1987)
2007
5 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: '87 Crash
Stox Ride The Seesaw
(20th October 1987)
2007
5 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: '87 Crash
Wall St. On A Roll
(21st October 1987)
2007
5 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: '87 Crash
Fed $$$ Fail To Nip Dip
(22nd October 1987)
2007
5 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: '87 Crash
TGIF!
(23rd October 1987)
2007
5 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Monday Madness
(16th October 1989)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
What A Ride!
(5th April 2000)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Nightmare On Wall St.
(14th October 1989)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Panic!
(20th October 1987)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Raging Bull
(14th February 1997)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Whew!
(29th October 1997)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Free Fall!
(16th/17th November 1991)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Scary!
(5th April 2000)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
How Now, Dow
(23rd October 1987)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Dow Picks Itself Up
(17th October 1989)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Soar Point
(3rd June 2000)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Relief!
(24th October 1987)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Sell Of A Day
(1st September 1998)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
After The Fall
(21st October 1987)
2007
15 drawings, marker, paper
188 x 147.3 cm
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Aleksandra Mir
Stock Market: Up And Down
Black Friday
(15th April 2000)
2007
15 drawings, marker, paper
188 x 147.3 cm
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