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4 NEW SENSATIONS 2009 CHANNEL4 TV PRIZE AND EXHIBITION FOR SAATCHI ONLINE ART STUDENTS



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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW


TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-Pablo Picasso
-Paul Cezanne
-Gustav Klimt
-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
-Henry Moore
-Cindy Sherman
-Jeff Koons
-Tracey Emin
-Damien Hirst
-Yves Klein
-Henri Rousseau
-Chaim Soutine
-Arshile Gorky
-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
-Juan Gris
-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
-Louise Bourgeois
-Marc Chagall
-Gerhard Richter
- Balthus
-Joan Miro
-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
-Alfred Stieglitz
-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
-Richard Hamilton
-Clyfford Still
-Luc Tuymans
-Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE
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Saatchi Gallery
Amy Sillman at The Saatchi Gallery

AMY SILLMAN


About Amy Sillman and her art


Text written by Patricia Ellis

Amy Sillman’s work is highly intuitive. Her rich, colourful paintings reveal a lyrical charm, detailing visions of dream-like impressions. Conceiving painting as an outward projection of an inner dialogue, Amy Sillman approaches painting as a visual sub-language, an expression of sentiments that float intangibly between mental consciousness and formulated communication. Amy Sillman’s canvases offer glimpses into this subliminal world; veering between abstract and almost representational, she strives to give form to the spontaneous meanderings of her imagination.

Pleasing and decorative, the delight in Amy Sillman’s work is in the sophistication of her application. In her study of how to express the totality of thought, she becomes absorbed in the semiotics of painterly language itself. Thick impasto mixes readily with sly dabs and drizzles, while radiant hues and hurried gestures appear in their own space and time. Amy Sillman’s compositions are as random and interconnected as bubbles of the subconscious, sharing a private thought that is simultaneously whimsical and crude.

In Amy Sillman’s canvases, forms effuse in disjointed rhythm, colour has the weightlessness of pure light. Strangely intimate, her abstractions capture the free-flow of unformulated ideas, resounding with a distant familiarity. Landscapes unfold as spills of colour, sunsets as jagged swipes, flowers and birds emerge with comic simplicity. Amy Sillman’s application replicates daydreaming itself. Patches build up in jumbled confusion while others trail off into capricious nothingness, forms repeat like fragmented memories, struggling to regain wholeness.

Amy Sillman’s paintings possess a confessional truthfulness, complexly articulated by an astute engagement with artistic lineage, psychoanalysis and feminist theory. In affirming her expression of ‘self’ she paints with an almost child-like sense of innocence, unmitigated and unembarrassed. Embracing a modernist reverence of inspired imagination, Amy Sillman defines honesty as the most enduring quality of painting.


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