1965

Born Billings, Montana

Mildred Lane Kemper Art Museum, St. Louis
Friedrich Petzel Gallery, New York

Official Welcome, Los Angeles Museum of Contemporary Art
Official Welcome, Dia:Chelsea, New York
Official Welcome, Museum Moderner Kunst, Vienna
Galeria Brancolini Grimaldi, Rome and Florence
Official Welcome, BALTIC, Newcastle, in conjunction with “History of Disappearance: Live Art from New York 1975-Present”
May I Help You, Orchard, New York

Official Welcome, Miami, sponsored by Creative Time in conjunction with Art Basel Miami Beach
Official Welcome, Whitechapel Art Gallery, London, in conjunction with "A Short History of Performance Art, Part II"
Andrea Fraser, Works: 1984 to 2003, Kunstverein, Hamburg

Exhibition, Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver
Arma Virumqe Cano, American Fine Arts, Co., New York
Friedrich Petzel Gallery, New York

Official Welcome, The MICA Foundation, New York
Kunst muß hängen (Art Must Hang), Galerie Christian Nagel, Cologne

Information Room, Kunsthalle Bern, Bern
An Introduction to the Sprengel Museum, Hannover, Sprengel Museum,

White People in West Africa, American Fine Arts Co., New York
Inaugural Speech, InSITE97, San Diego/Tijuana
Student Show: Selections, Lists, Awards, Announcements, Galleries at Moore College of Art and Design, Philadelphia

The Seventh Museum, an unrealized public project developed in collaboration with Clegg & Guttmann, STROOM foundation, The Hague
Services, a 'working-group exhibition' organized in collaboration with Helmut Draxler, Kunstraum der Universität Lüneburg; Künstlerhaus Stuttgart; Kunstverein München; Le Sous-sol Ecole supérieure d'art visual, Geneva; Depot, Vienna; Provinciaal Museum, Hasselt Parasite at the Clock Tower Building, New York; Museu d’Art Contemporani, Barcelona

Please ask for assistance, American Fine Arts Co., New York
White People in West Africa, Galerie Metropol, Vienna
Stellvertreter Representatives Rappresentanti, with Christian Philipp Müller and Gerwald Rockenschaub, Austrian Pavilion, 45th Venice Biennale, Venice
Eine Gesellschaft des Geschmacks (A Society of Taste), Kunstverein München, München

Welcome to the Wadsworth, MATRIX, Wadsworth Atheneum, Hartford
May I Help You?, in cooperation with Allan McCollum, American Fine Arts Co., New York

Galerie Christian Nagel, Cologne

The Fairy Tale: A Gallery Talk, for The Fairy Tale: Politics, Desire and Everyday Life, Artists Space, New York
Damaged Goods Gallery Talk Starts Here, for Damaged Goods: Desire and the Economy of the Object, New Museum of Contemporary Art, New York

For a Special Place: Documents and Works from the Generali Foundation Collection, Austrian Cultural Forum, New York
What do I, as an artist, provide? Mildred Lane Kemper Art Museum, St. Louis
Vanhaerents Art Collection, Brussels
Into Me / Out of Me, KW Institute for Contemporary Art, Berlin
Make Your Own Life: Artists In and Out of Cologne, Henry Art Gallery, Washington State

Hot/Cold – Summer Loving, Zacheta National Gallery of Art, Warsaw
Into Me / Out of Me, P.S. 1 - MoMA, New York
Make Your Own Life: Artists In and Out of Cologne, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
Heard Not Seen, Orchard, New York
Make Your Own Life: Artists In and Out of Cologne, The Power Plant, Toronto
Into Me / Out of Me, KW Institute for Contemporary Art, Berlin

General Idea: Rethinking Conceptual Art, CCA Wattis Institute for Contemporary Arts, San Francisco
History of Disappearance: Live Art from New York 1975-Present, BALTIC, Newcastle
This Colony, Kunstfort bij Vijfhuizen, the Netherlands
Framing Exposure: Process and Politics, Institute of Contemporary Art, Philadelphia
Occupying Space / Wasting Time: Sammlung Generali Foundation, Haus der Kunst, Munich
Madonna, Kunsthaus, Dresden
What Business Are You In?, The Atlanta Contemporary Art Center, Atlanta
Life, Once More, Witte de With, Rotterdam
Photography, Video, Mixed Media II, DaimlerChrysler Contemporary, Berlin

Somewhere, Everywhere, Nowhere, The Fruitmarket Gallery, Edinburgh
Collected Views from East or West and West or East, Generali Foundation, Vienna
Tierras en tránsito, El Museo Tamayo, Mexico City
Systemstörung, Edith-Ruß-Haus für Medienkunst, Oldenburg
Funky Lessons, curated by Joerg Heiser, Buero Friedrich, Berlin; Atelier Augarten Centre for Contemporay Art, Vienna
Body Display, Secession, Vienna
Karneval-Carnaval, Centro Cultural Banco do Brasil, Rio de Janeiro
Made in Mexico, Institute of Contemporary Art, Boston; UCLA Hammer Museum, Los Angeles

A Short History of Performance Art - Part II, Whitechapel Art Gallery, London
Image Stream, Wexner Center for the Arts, The Ohio State University

Okonomien der Zeit, Museum Ludwig, Cologne; Akademie der Künste, Berlin; Migros Museum fur Gegenwartskunst, Zürich
Shoot the Singer, Institute of Contemporary Art, University of Philadelphia, Philadelphia
Não é cinema, não é video e nem é Televisão, Capacete entretenimentos, Festival
do Rio BR 2002, Instituto Brasileiro de Audiovisual, Escola de Cinema Darcy Ribeiro, Rio de Janeiro
Exposition d’art contemporain, Biennale de Gonesse, Val d’Oise
En Route, Serpentine Gallery, London

SIGHT/SITE: Objects Subject to Change, Institute of Contemporary Art, University of Philadelphia
Visual Worlds, The Richard L. Nelson Gallery and Fine Arts Collection, University of
California, Davis
Antagonisms, Museu d’Art Contemporani, Barcelona

Moving, Hamburger Kunsthalle, Hamburg

Bibliomania, site specific locations, London
Museum as Muse, Museum of Modern Art, New York

Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros., 24th Bienal de Säo Paulo, Säo Paulo
Genius Loci, Kunsthalle Bern, Bern

postproduktion, EA-Generali Foundation, Vienna
Collected, The Photographers' Gallery/The Wallace Collection, London

White Cube/Black Box, EA-Generali Foundation, Vienna
Temporarily Possessed, New Museum of Contemporary Art, New York

The End(s) of the Museum, Antoni Tàpies Foundation, Barcelona
Make Believe, Royal Collage of Art, London

Die Orte der Kunst, Sprengel Museum, Hannover
Don't Postpone Joy or Collecting Can be Fun, Austrian Cultural Institute, New York

What Happened to the Institutional Critique?, American Fine Arts Co., New York
Kontext Kunst, Neue Galerie, Graz
On taking a normal situation…, Antwerp 93, Antwerp
Parallax View, P.S.1 Contemporary Art Center, New York
Biennial Exhibition, Whitney Museum of American Art, New York

Dirty Data: Sammlung Schürmann, Ludwig Forum für Internationale Kunst, Aachen
Blurred Logic, MA Galerie, Paris
Wohnzimmer/Büro, Galerie Christian Nagel, Cologne
American Fine Arts Co., New York
Denkraum Museum, Architektur Forum, Zürich

Art Supplies and Utopia, Galerie Ralph Wernicke, Stuttgart
The Köln Show, Cologne
Marginal Practices: A Framework in Focus, Gracie Mansion Gallery, New York
Video Works, Galleri Nordenstad-Skarstedt, Sweden
The Desire of the Museum, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York
After the Gold Rush, Milford Gallery, New York

Selling Us Ourselves, 10 on 8, New York
Re: Placement, Los Angeles Contemporary Exhibitions, Los Angeles

Four Walls, Hoboken
Opposing Force, Hallwalls Contemporary Arts Center, Buffalo