oil on canvas
183 x 321 cm
In White Wash, Ferris presents a scene of sublime romanticism worthy of Casper David Frederich. Almost entirely abstracted, just a hint of a figure can be seen, swallowed by the vast colour fields. Ferris’s work carries an embarrassed spirituality: the raw and cerebral power of paint shamelessly describing the decoratively sentimental. Revelling in the grandeur of its construction, White Wash presents landscape as idea rather than location: an artificial perfection boasting the supremacy of emotive desire over nature.