In Untitled (2005) a naked mannequin standing in front of a terrorist biography (which also appears in Selling Out, 2004) wears a hoodie and scarf, both menacing and politically charged items as well as emblems of ‘radical chic’. Issues around power, class, nationalism and gender are raised through the fetishised, cropped poses of underwear models and anthropomorphic props in Blow Up (Michelli) (2006) and Untitled (End Democracy) (2005).