Printed in black and white, Josphine Meckseper’s RAF Tray is reminiscent of the ambient class of perfume adverts, the drama of classic film, and the radical chic of 60s political photos. Staged by Meckseper, her models exude this expectant glamour, femmes fatales peddling image over content. Proffering box of matches on a silver platter, they offer revolution as a bi-product of their conflicting values, sparking a dissident solution to the boredom of privilege.