Sasnal approaches painting as a formal exercise. He often borrows subjects from art history, twentieth-century propaganda, and photojournalism. Airplanes is a dark appropriation of Alighiero Boetti's famous airplane drawings. Subverting the original pastoral optimism, Sasnal's planes are engulfed in smoke as if they've been hit by enemy fire.

Sasnal deconstructs the hierarchy of 'high culture' by filtering it through mass-media association. Through painting, Sasnal explores his own interpretation and understanding of imagery. His work constantly questions the space between ‘personal' and ‘public', and strives to define individual experience within a world order of collective consciousness.