Schutz's portrait of an albino is as grotesque as it is captivating. Rendered in thick impasto, she draws out her subject's pasty whiteness in the most sculptural way: the eyes given a troll-like wrinkle, the mouth simultaneously crusty and drooling. Unlike historical court paintings of dwarfs and mutants, Schutz's painting isn't a folly, but an honest confession of repulsion and seduction.