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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW


TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-Pablo Picasso
-Paul Cezanne
-Gustav Klimt
-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
-Henry Moore
-Cindy Sherman
-Jeff Koons
-Tracey Emin
-Damien Hirst
-Yves Klein
-Henri Rousseau
-Chaim Soutine
-Arshile Gorky
-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
-Juan Gris
-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
-Louise Bourgeois
-Marc Chagall
-Gerhard Richter
- Balthus
-Joan Miro
-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
-Alfred Stieglitz
-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
-Richard Hamilton
-Clyfford Still
-Luc Tuymans
-Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE
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Saatchi Gallery
Barnaby Furnas at The Saatchi Gallery

BARNABY FURNAS


About Barnaby Furnas and his art


Text written by Patricia Ellis

Barnaby Furnas’s paintings rival the sensationalism of Hollywood special effects: forms explode with Technicolor glory, pyrotechnics and gore are reinvented with painterly splendour, and action-packed carnage is frozen in all-angle suspense. Drawing from the ultra-violence of big-screen cinema and illicit video games, Barnaby Furnas develops his own subversive cartoon world, populated by rock stars and Abe-Lincoln look-a-likes hell-bent on maniacal destruction. Barnaby Furnas uses his blood-and-guts subjects as a means to flirt with abstraction and design, entrenching his hyper-contemporary scenes in historical tradition. Creating a sophisticated visual tension, Barnaby Furnas’s work mirrors a current social anxiety, troubled by the glamorisation of war, corruption of faith and the legacy of false heroes.

Barnaby Furnas’s slap-stick scenes descend into a blitzkrieg of pictorial delight. Motion is implied with frenzied scratches so action can be captured in continuous instant replay: figures in stealthy pinstripe suits readily become Swiss cheese, punctured by flying gobs of red, blue and yellow. Bullets, perfectly rendered, and petrified mid-air, slice through his canvases in hails of white spray. Within the blood bath, Barnaby Furnas wields a commanding formalism: his painted fervour conducts real power and visual authority, demanding all-consuming attention and quasi-spiritual fixation.

Barnaby Furnas approaches painting with fundamentalist idealism. Making his own paint from pigment mixed with urethane, his canvases construct modern versions of grand historical themes: glorified battles and religious redemption are updated and laundered as media currency. Furnas slips effortlessly between representation and abstraction. Gushing blood, fiery explosions and clouds of smoke become complex embodiments of painterly gesture, drawing comparison to the poetic abstraction of Cy Twombly and Pollock’s expressive splatters. Combining this sublime beauty with depicted horror, Furnas alludes to a social obsession with self-indulgence and destruction.


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