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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Selected Works by Brian Fahlstrom
Brian Fahlstrom
A Blossoming / Distant Impassionedness
2005
oil on canvas
193 x 231 cm |
Click on images to enlarge
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Brian Fahlstrom’s landscapes are captivating in their painterly simplicity. Rendered in the golds and blues of Rennaissance painting, A Blossoming/Distant Impassionedness presents an abstracted breakdown of nature with pastoral undertones. Creating a sense of movement and shifting light through a combination of gestural brushwork and heavy stylised outlines, Fahlstrom portrays his landscape with a fairytale-like drama, derived from the romantic suggestions of Japanese woodcuts, Cubist fields, and contemporary graphic art.
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Brian Fahlstrom
Captivation / Allegro Vivace
2005
oil on canvas
188 x 227 cm |
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In Captivation/Allegro Vivace, Brian Fahlstrom decodes both nature and painting into an unruly system of attributions and translations. Flaunting his study of the masters, Fahlstrom appropriates the essence of Van Gogh, Derrain, Klimt, and Cezanne et.al. with an air of unnerving casualness. Composing a landscape by means of affiliation, clouds, trees, and mountains are distorted, not to suggest themselves, but to insinuate their art historical lineage. Through deciphering the tradition of painting, Fahlstrom resurrects artistic romanticism as a refreshingly new enchantment.
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Brian Fahlstrom
Your Places For Me
2005
oil on canvas
198.4 x 235.3 cm |
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Brian Fahlstrom conceives painting as a dynamic which falls outside of lived experience; his canvases become fields of implausible invention and adventure. Conveying an intuitive notion of place, Fahlstrom’s paintings present a dream-like longing to realise an elsewhere existing only in fantasy. Using painting as a means to physically explore imagination, Fahlstrom’s abstracted landscapes unfold as tactile topographies. Heavy brushwork and layers of paint resolve as striated contours and organic matter, giving earthy tangibility to his escapist illusion.
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Brian Fahlstrom
Procession
2005
oil on canvas
198.1 x 470 cm |
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Through his paintings, Brian Fahlstrom resurrects a lost value of traditionalism. Using the act of painting as a form of intuitive expression, his landscapes encapsulate an immediacy of creative production. In Procession, impassioned brushstrokes emerge in concentrated patterns, and bright colours reverberate against consuming crevices of black; throughout is a raw current of motion, staid by an unfaltering sense of compositional stability. For Fahlstrom, landscape becomes a metaphor for the sublime recklessness of painting itself; a practice driven by the timeless pursuit of beauty. |
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