David Salle

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-	Pablo Picasso
-	Paul Cezanne
-	Gustav Klimt
-	Claude Monet
-	Marcel Duchamp
-	Henri Matisse
-	Jackson Pollock
-	Andy Warhol
-	Willem De Kooning
-	Piet Mondrian
-	Paul Gauguin
-	Francis Bacon
-	Robert Rauschenberg
-	Georges Braque
-	Wassily Kandinsky
-	Constantin Brancusi
-	Kasimir Malevich
-	Jasper Johns
-	Frida Kahlo
-	Martin Kippenberger
-	Paul Klee
-	Egon Schiele
-	Donald Judd
-	Bruce Nauman
-	Alberto Giacometti
-	Salvador Dalí
-	Auguste Rodin
-	Mark Rothko
-	Edward Hopper
-	Lucian Freud
-	Richard Serra
-	Rene Magritte
-	David Hockney
-	Philip Guston
-	Henri Cartier-Bresson
-	Pierre Bonnard
-	Jean-Michel Basquiat
-	Max Ernst
-	Diane Arbus
-	Georgia O'Keeffe
-	Cy Twombly
-	Max Beckmann
-	Barnett Newman
-	Giorgio De Chirico
-	Roy Lichtenstein
-	Edvard Munch
-	Pierre Auguste Renoir
-	Man Ray
-	Henry Moore
-	Cindy Sherman
-	Jeff Koons
-	Tracey Emin
-	Damien Hirst
-	Yves Klein
-	Henri Rousseau
-	Chaim Soutine
-	Arshile Gorky
-	Amedeo Modigliani
-	Umberto Boccioni
-	Jean Dubuffet
-	Eva Hesse
-	Edouard Vuillard
-	Carl Andre
-	Juan Gris
-	Lucio Fontana
-	Franz Kline
-	David Smith
-	Joseph Beuys
-	Alexander Calder
-	Louise Bourgeois
-	Marc Chagall
-	Gerhard Richter
-	Balthus
-	Joan Miro
-	Ernst Ludwig Kirchner
-	Frank Stella
-	Georg Baselitz
-	Francis Picabia
-	Jenny Saville
-	Dan Flavin
-	Alfred Stieglitz
-	Anselm Kiefer
-	Matthew Barney
-	George Grosz
-	Bernd And Hilla Becher
-	Sigmar Polke
-	Brice Marden
-	Maurizio Cattelan
-	Sol LeWitt
-	Chuck Close
-	Edward Weston
-	Joseph Cornell
-	Karel Appel
-	Bridget Riley
-	Alexander Archipenko
-	Anthony Caro
-	Richard Hamilton
-	Clyfford Still
-	Luc Tuymans
-	Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE

BIOGRAPHY

1952

Born in Norman, Oklahoma,

1973

Education: California Institute of the Arts,
Valencia, California, B.F.A.

1975

California Institute of the Arts,
Valencia, California, M.F.A.

Lives in Sagaponack, New York.

SOLO EXHIBITIONS

1981

Mary Boone Gallery, NYC, NY

1982

Mary Boone Gallery, NYC, NY.
Leo Castelli Gallery, NYC, NY.

1983

Museum Boymans van Beuningen, Rotterdam, The Netherlands.
Mary Boone Gallery, NYC, NY.

1984

Leo Castelli Gallery, NYC, NY.

1985

Mary Boone Gallery, NYC, NY.

1986

Leo Castelli Gallery, NYC, NY.
Institute of Contemporary Art, Philadelphia, Pennsylvania.
Institute of Contemporary Art, Boston, Massachusetts.

1987

Whitney Museum of American Art, NYC, NY.
Museum of Contemporary Art, Los Angeles, California.
Art Gallery of Ontario, Toronto, Canada.
Museum of Contemporary Art, Chicago, Illinois.
Mary Boone Gallery, NYC, NY.
Spiral/Wacoal Art Center, Tokyo, Japan.

1988

Mary Boone Gallery, NYC, NY.
The Menil Collection, Houston, Texas.
Fundacion Caja de Pensiones, Madrid, Spain.

1989

Bayerische Staatsgemaldesammlungen Munchen, Munich, West Germany.
The Tel Aviv Museum of Art, Tel Aviv, Israel.
Waddington Gallery, London, England.

1990

Mario Diacono Gallery, Boston, Massachusetts.

1992

Galerie Daniel Templon, Paris, France.

1993

Newport Harbor Art Museum, Newport Beach, California.

1994

Mary Boone Gallery, NYC, NY.

1995

Galerie Bruno Bischofberger, Zurich, Switzerland.

1997

Galeria Soledad Lorenzo, Madrid, Spain.

1999

Stedelijk Museum, Amsterdam, The Netherlands.
Guggenheim Museum, Bilbao, Spain.

2000

Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico.

2001

Gagosian Gallery, NYC, NY.
Jablonka Galerie, Koln, Germany.

2003

Mary Boone Gallery, NYC, NY.
Waddington Galleries, London, England.
Emilio Mazzoli Galleria d'Arte Contemporanea, Milan, Italy.

2004

David Salle: Split Worlds. The Montage Principle, Stella Art Gallery, Moscow, Russia.

2005

Mary Boone Gallery, NYC, NY.

COLLABORATIONS

1997

Fergal Stapleton and Rebecca Warren, The Showroom, London

1996

Rebecca Warren and Fergal Stapleton, Cleveland, London

1995

Rebecca Warren, Fergal Stapleton and Graham Gussin,
Laure Genillard, London

1994

Retrospective: Your Mother, with Fergal Stapleton,
152c Brick Lane, London

GROUP EXHIBITIONS

1981

Westkunst: Heute, Museum der Stadt Koln, Koln, West Germany.

1982

Documenta 7, Museum Fridericianum, Kassel, West Germany.
La Biennale di Venezia, Venice, Italy.
Zeitgeist, Berlin, West Germany.

1983

Biennial Exhibition, Whitney Museum of American Art, NYC, NY.
New York Now, Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, West Germany.
Tendencias en Nueva York, Crystal Palace, Madrid, Spain.
Sao Paulo Biennale, Sao Paulo, Brazil.
New Art, The Tate Gallery, London, England.

1984

An International Survey of Contemporary Painting and Sculpture, The Museum of Modern Art, NYC, NY.
The Human Condition: SFMMA Biennial III, San Francisco Museum of Modern Art, San Francisco, California.

1985

Biennial Exhibition, Whitney Museum of American Art, NYC, NY.
XIII Biennale de Paris, Grand Halle du Parc de la Villette, Paris, France.
Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania.

1986

Biennale of Sydney, Sydney, Australia.
Ooghoogte, 50 jaar later, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands.
Europe/America, Ludwig Museum, Koln, West Germany.
Prospect 86, Frankfurter Kunstverein, Frankfurt, West Germany.

1987

Avant Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles, California.
L'epoque, la mode, la morale, la passion, Centre Georges, Pompidou, Paris, France.

1989

Bilderstreit, Rheinhalle, Koln, West Germany.

1991

Mito y Magia en America: Los Ochenta, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico.
Biennial Exhibition, Whitney Museum of American Art, NYC, NY.

1993

Four American Artists, Ho-Am Museum, Kyunggi-Do, South Korea.
Operto, La Biennale di Venezia, Venice, Italy.

1996

Thinking Print: From Books to Billboards, 1980-1995, The Museum of Modern Art, NYC, NY.
The Robert and Jane Meyerhoff Collection, National Gallery of Art, Washington, D.C..

1998

Young Americans 2, Saatchi Gallery, London, England.

1999

The American Century: Art & Culture, 1900-2000 Part 2, Whitney Museum of American Art, NYC, NY.

2000

Around 1984: A Look at Art in the Eighties, PS1 Contemporary Art Center, Long Island City, New York.

2001

Mythic Proportions: Painting in the 1980s, Museum of Contemporary Art, North Miami, Florida.

2004

Flowers, Mary Boone Gallery, NYC, NY.
Flowers Observed, Flowers Transformed, The Andy Warhol Museum, Pittsburgh, Pennsylvania.
North Fork/South Fork: East End Art Now/Part II, Parrish Art Museum, Southampton, New York.
The Charged Image, Joseloff Gallery, University of Hartford, West Hartford, Connecticut.
What's Modern?, Gagosian Gallery, NYC, NY.

2005

Contemporary Voices: Works from The UBS Art Collection, The Museum of Modern Art, NYC, NY.

BIBLIOGRAPHY

Russell, John, David Salle, THE NEW YORK TIMES, 19 March 1982, p. C24.

Marzorati, Gerald, The Artful Dodger, ART NEWS, Summer 1984, pp. 47-55.

Schjeldahl, Peter, The Real Salle, ART IN AMERICA, September 1984, pp. 180-187.

Pincus-Witten, Robert, An Interview with David Salle, ARTS MAGAZINE, November 1985, pp. 78-81. (illus: "The Farewell Painting", Cover, C).

Politi, Giancarlo, David Salle, FLASH ART, August 1986, pp. 12-17.

Taylor, Paul, How David Salle Mixes High Art and Trash, THE NEW YORK TIMES MAGAZINE, 11 January 1987, pp. 26-28, 39.

Liebmann, Lisa, Harlequinade for an Empty Room: On David Salle,

ARTFORUM, February 1987, pp. 94-99.

Mc Guigan, Cathleen, Dipping into the Grab Bag of Pop Culture, NEWSWEEK, 2 March 1987, p. 77.

Danto, Arthur, Art: David Salle, THE NATION, 7 March 1987, pp. 302-304.

Heartney, Eleanor, David Salle: Impersonal Effects, ART IN AMERICA, June 1988, pp. 120-129, 175. (illus: "Byron's Reference to Wellington", Cover, C).

Millet, Catherine, David Salle, entre composition et designation, ART PRESS, October 1988, pp. 12-17. (illus: "The Kelly Bag", Cover, C).

Olivares, Rosa, David Salle - Born in the U.S.A., LAPIZ, October 1988, pp. 76-81. (illus: "We'll Shake the Bag", Cover, C).

Vaudey, Marc, De l'ironie d'une rhetorique neuter, inquietante et Familiere: David Salle, ARTSTUDIO, December 1988, pp. 26-41. (illus: "Colony", Cover, C).

Adams, Brooks, Art and Sole, INTERVIEW, September 1989, pp. 88-93.

Tuten, Frederic, The House of Salle, VANITY FAIR, October 1989, pp. 210-215, 276.

Hawkes, John, Complicities, BORDER CROSSINGS, Fall 1990, pp. 28-40. (illus: "The Mystical Master", Cover, C).

Smith, Roberta, David Salle Enters a Rococo Phase, THE NEW YORK TIMES, 5 April 1991, p. C26.

Kazanjian, Dodie, Salle Days, VOGUE, May 1992, pp. 246-253, 303.

Adams, Brooks, At a Certain Point, You Bring the Gods Down on Your Head, ART NEWS, January 1994, pp. 150-153.

Smith, Roberta, Two Shows by David Salle, THE NEW YORK TIMES, 28 January 1994, p. C19.

Tuten, Frederic, David Salle's 'Search and Destroy' Mission, INTERVIEW, March 1995, pp. 104-109.

Schjeldahl, Peter, Salle Days, ARTFORUM, Summer 1995.

Tuten, Frederic, David Salle: At the Edges, ART IN AMERICA, September 1997, pp. 78-83.

Carrera, J.A. Gonzalez, El Guggenheim exhibe la pintura figurativa cifrada de David Salle, EL CORREO, 18 January 2000, p. 47.

Wallach, Amei, Reassessing an Era When Excess was the Norm, THE NEW YORK TIMES, 29 April 2001.

Edelson, Sharon, Salle's New Scenes, WOMEN'S WEAR DAILY, 3 January 2003, p. 4.

Solomon, Deborah, An Art Star's Comeback? Those Aren't His Words, THE NEW YORK TIMES, 5 January 2002, pp. AR1, AR39.

Rosenblum, Robert, David Salle talks to Robert Rosenblum, ARTFORUM, March 2003, pp. 74-75, 264-265.

Nesbit, Molly, Bright Light, Big City, ARTFORUM, April 2003, pp. 184-189, 245-248.

Gilmore, Jonathan, David Salle, TEMA CELESTE, July 2003, pp. 74-75.

Yablonsky, Linda, What Makes a Painting a Painting?, ART NEWS, April 2005, pp. 96-101.

Boodro, Michael, Contemporary Vision, ELLE DECOR, May 2005, pp. 124-133.

David Salle's Biography and Exhibitions

BIOGRAPHY

SOLO EXHIBITIONS

COLLABORATIONS

GROUP EXHIBITIONS

BIBLIOGRAPHY

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