•  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
  •  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
  •  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
  •  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
  •  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
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Current Exhibition

SELECTED WORKS BY Enrico David

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Enrico David
Agent

2000

wool on dyed canvas

269 x 254 cm
Enrico David’s embroideries create a camp theatricality; his figures emerge as staged constructions, paralleling outward appearance with inner fantasy. In Agent, David’s crouching figure is set in monotone against blended grey ground, creating the inside-out suggestion of photographic negative. Within the red trimmed contours, an image of a warrior appears, reminiscent of Japanese woodcuts. Heavily stitched with thick wool, Agent’s burly soft texture both highlights and undermines the perception of strength and masculinity, portraying a dandy of heroic proportions.
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Enrico David
Stick of Rock

1999

wool on dyed canvas

300 x 240 cm
Enrico David’s large-scale canvases explore personal identity within the public domain. Dealing with issues of queer politics, David appropriates elements from modernist design and contemporary culture to develop an intimate platform of fantasy and revelation. Created in embroidery on tie-dyed fabric, Stick of Rock presents a quirky sexuality based equally in high fashion, subculture, and home craft. Dressed in a Pucci-esque catsuit, David’s svelte poseur is both exhibitionist and stealth-like. His sleek figure is transformed by its woollen texture, drawing peculiar and humorous reference to S&M, bondage, and role-play with its seductively cuddly material.

ARTICLES

Enrico David – Art Now by Catherine Wood

Drawing is the starting point for most of my work, from the rendering of a photographic image to a more intuitive, spontaneous approach. I often borrow from traditional craft techniques and design styles, using their pre-given rules and functional potential in an attempt to organize and give structure to the often chaotic nature of my emotional response to reality. In so doing, my work often manifests itself in installation-based displays where the suggestion of a narrative provides a backbone to the arrangement of objects and images which might be manufactured in a variety of ways.
I see the potential of the creative process as a representation of a new language to be simultaneously constructed and discovered, on the basis of pre-existing aesthetic and cultural templates. The use of language, whether representational or written, provides me with an opportunity to give physical form to my need for discontinuity, disruption and misuse which is at the core of my practice.’

Read the entire article here
Source: www.tate.org.uk