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4 NEW SENSATIONS 2009 CHANNEL4 TV PRIZE AND EXHIBITION FOR SAATCHI ONLINE ART STUDENTS



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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW


TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-Pablo Picasso
-Paul Cezanne
-Gustav Klimt
-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
-Henry Moore
-Cindy Sherman
-Jeff Koons
-Tracey Emin
-Damien Hirst
-Yves Klein
-Henri Rousseau
-Chaim Soutine
-Arshile Gorky
-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
-Juan Gris
-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
-Louise Bourgeois
-Marc Chagall
-Gerhard Richter
- Balthus
-Joan Miro
-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
-Alfred Stieglitz
-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
-Richard Hamilton
-Clyfford Still
-Luc Tuymans
-Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE
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Hernan Bas at The Saatchi Gallery

HERNAN BAS


About Hernan Bas and his art


Text written by Patricia Ellis

Hernan Bas explores the language of dandyism and subculture as a means to define sexual attraction. Bas's paintings are tinged with nihilist romanticism, born of literary intrigue and a passion for historical painting. His works are small, frail and sensuously delightful. Through their unassuming intimacy, they contrive elaborate fantasies concerned with the ephemera and gentilities of seduction. Bas's bittersweet subject matter ranges from Greek mythology to contemporary genre painting, and are always derived from his connoisseur's predilection for the poetic and empyreal. Suggestive of the melodramatic narratives of classic film, his scenes conjure up thoughts of gothic malaise and the trepidation of first love.

Bas situates his characters amidst the turbulence of adolescence. Their sensuality is expressed through an aura of naiveté, emanating from scenes of roughhouse play or quiet repose. Bas portrays emotional isolation as a symptom of social engagement, a reflection of the awkwardness of budding sexuality and an awareness of difference. Bas's paintings are never explicit; rather his dreamy images exist as metaphors for emotional flux. Wavering between virginal anxiety and gushy infatuation, they capture precise moments of seasonal youth.

Greatly influenced and inspired by the decadent writing of Wilde and Huysmans, his style of painting emulates linguistic flourish. Impassioned brushwork and pastel hues bloom with poetic description, whilst environments are set with the divine ambience of pathetic fallacy. Confined by a historical sense of etiquette, Bas's figures gracefully allude to darker inclinations; their posed innocence a thin veil of gentlemanly decorum.

Embracing the sentimental, Bas's figures convey overwhelming emotions as an internalised sensation. Bas masterfully portrays the graceful masking of social gaff, the lustful harbouring of desire, or the stiff-lipped retention of hurt feelings. Through refined skill of drawing and measured composition, Bas develops a psychologically charged context for painting where dramatic excess knows no bounds.


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