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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW


TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-Pablo Picasso
-Paul Cezanne
-Gustav Klimt
-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
-Henry Moore
-Cindy Sherman
-Jeff Koons
-Tracey Emin
-Damien Hirst
-Yves Klein
-Henri Rousseau
-Chaim Soutine
-Arshile Gorky
-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
-Juan Gris
-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
-Louise Bourgeois
-Marc Chagall
-Gerhard Richter
- Balthus
-Joan Miro
-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
-Alfred Stieglitz
-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
-Richard Hamilton
-Clyfford Still
-Luc Tuymans
-Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE
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Hernan Bas at The Saatchi Gallery

HERNAN BAS


Articles about Hernan Bas


Not Will and Grace

Hernan Bas at Daniel Reich Gallery By Dan Tranberg

Twenty-four-year-old Miami-based artist Hernan Bas is one of a growing number of emerging artists who makes figurative paintings a la Henry Darger, working in an awkward painterly style that blatantly favors psychologically rich narratives over technical mastery. But unlike his stylistic counterparts (Elizabeth Peyton, for instance) Bas delves into a highly charged social landscape, one occupied over the past decade or two by writers such as Dennis Cooper and filmmakers such as Gregg Araki. Bas himself cites earlier references: Oscar Wilde and French novelist Joris-Karl Huysmans. Either way, he uses his work to wrestle with a seemingly unavoidable queer pedigree.

His recent solo show at Daniel Reich Gallery, Sometimes with One I Love, offered a dozen recent works in which slender teenaged boys hover in a state between connection to and alienation from their environments. Fitting In, a 31 x 24-inch painting on wood panel, was a clear standout. A solitary figure stands in a shallow pool of water, mimicking the pose of a flamingo while a large group of the flamboyant pink birds carry on without noticing him. As with many of Bas' works, the boy's surroundings can be seen as a stand-in for a conventional social network, one with which the boy may want to blend, but obviously can't. Right Place Wrong Time uses a similar strategy; a boy shows up at a secluded rocky beach, only to be left alone standing in the rain, holding a red umbrella.

Such a sense of alienation and frustration is in many ways glamorized by Bas. Confused and depressed as his characters often seem, they also imply a certain cool detachment from the increasingly mainstream world of gay assimilation. In this sense, Bas revels in the psychological ambiguity that arises from not belonging to the relatively new world of gay normalcy.
Read the entire article Source: (www.anglemagazine.org)



Ignore Magazine get up close and personal with Hernan Bas

By Omar Sommereyns

Miami, Florida - Inside Hernan Bas' room in a pleasant apartment on Biscayne Boulevard, an absurd mass of empty Budweiser tallboys - accumulated over several days - stand below an old Trinitron TV. We were supposed to go to South Beach modspot, the Marlin Bar, for 2-for-1s, but instead, Bas is seated on his bed, fanning his tears as he watches the end of The Sixth Sense.

On the walls are posters of effeminate male models, artist Joseph Beuys and an exhibit called Domestic Porn ; record covers of Pat Benatar's Invincible and A-Ha's Take on Me; and postings of work that will be shown at his debut solo show in New York (mawkishly titled My Incommunicable Woe ) at the Daniel Reich Gallery. It is the beginning of the summer in 2004 and Bas has enjoyed a good deal of success and attention while still wallowing in youth.

There are also large transfers of gravestone surfaces that he rubbed on paper during a visit to historic cemeteries in New Orleans. He says he likes the aesthetic of the graves, their history and the fact that they describe the cause of death. Bas, whose parents are both Cuban, is a dark romantic and is drawn to the myth of the artist as martyr - the "tormented soul,' so to speak, who lives fast, produces much and dies young (27 still being the ripe taboo age). While in London for a 2004 group show at the Victoria Miro Gallery, he mentions, the large red buses roaring past him were intimidating, swerving close enough to knock him down.

Death is beautiful - in art. It's a hauntingly perfect concept, the only absolute truth. And it's a notion that's at the basis of Bas' work, something he handles openly and imaginatively, tongue leisurely rested in cheek.
Read the entire article Source: (ignoremagazine.com)



Saatchi Gallery

Other artists in The Empire Strikes Back: Indian Art Today

Jaishri Abichandani | Mansoor Ali | Kriti Arora | Ajit Chauhan | Shezad Dawood | Atul Dodiya | Chitra Ganesh | Probir Gupta | Sakshi Gupta | Subodh Gupta | Tushar Joag | Jitish Kallat | Reena Saini Kallat | Bharti Kher | Rajan Krishnan | Huma Mulji | Pushpamala N | Yamini Nayar | Justin Ponmany | Rajesh Ram | Rashid Rana | T.V. Santhosh | Schandra Singh | Tallur L.N | Hema Upadhyay |
T Venkanna |


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