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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Selected Works by Huma Bhabha
Huma Bhabha
Untitled
2006
Clay, wire, plastic, paint
114.3 x 243.8 x 152.4 cm
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Working with found materials and constructed forms, Huma Bhabha reworks the familiarity of everyday objects into creepy inventions. Something between a primitive species and space alien, her Untitled is both ghastly and sympathetic. Set atop an altar-like plinth, Bhabha’s figure prostrates in submissive position. Shrouded in black, hands outstretched as if in prayer, it echoes humility and reverence; its aura of calm perversely interrupted by a rigid tail trailing out from behind.
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Huma Bhabha
Museum Without Walls
2005
Clay, wire, wood, Styrofoam
89 x 63.5 x 86.4 cm
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Humorously referencing both tribal masks and modernism, Huma Bhabha’s Museum Without Walls presents the anatomy of a sculpture as voodoo construction. Using the traditional materials of sculptural moulding Bhabha constructs a skeleton of process, her formalist assemblage doubling as anthropomorphic entity. Laying bare her media and their function, Bhabha infuses her work with suggestive narratives. Museum Without Walls stands as both totem and architectural model, creating a contemporary primitivism from cultural refuse.
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Huma Bhabha
Waiting for a Friend
2003
Threaded steel rod, Styrofoam, wood, clay, paint
231.1 x 71.1 x 45.7cm
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Approaching sculpture as a form of abjection, Huma Bhabha uses found materials combined with moulded components to create an aesthetic that’s equally industrial and barbaric. Using the rough hewn tactility of her materials, Bhabha’s work exudes a fragile sensibility; their underlying fictions of lost utopia wittily mirror contemporary anxiety. Bhabha’s Waiting For A Friend towers as a dejected fertility totem. Lingering lonely against the gallery wall, its archaic form swells with expectation: plaster and wax thighs bulging, head exaggeratedly erect, spilled guts on full display.
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Huma Bhabha
International Monument
2003
Clay, wire, Styrofoam, bone
61 x 81.3 x 43.2 cm
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Picturing an upraised hand crudely crafted from impoverished materials and rendered in humble scale, Huma Bhabha’s International Monument is less an icon of peace than a remnant of a forgotten ideal. Boldly exhibiting the methods of sculptural process as finished work, Bhabha’s International Monument is conspicuously incomplete in pre-casting form; the potential for bronzed immortality is discarded in preference for the meagre and degradable. Lumpy crackling clay clinging to flimsy mesh and crumbly Styrofoam creates an intriguing tactility, echoing the fragile nature of the body. Rethinking the authoritarian qualities of ‘monument’ as reflective of the human condition, Bhabha’s sculpture is both destitute and empathetic.
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Huma Bhabha
Sell the House
2006
Mixed Media
139.7 x 96.5 x 71.1cm |
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Huma Bhabha
A.B.
2006
painted bronze
113 x 48.3 x 25.4 cm
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Huma Bhabha
Man of No Importance
2006
clay, wire, wood, bones, iron, cotton, fabric, glass
165.1 x 104.1 x 76.2 cm |
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Huma Bhabha
Untitled Drawing
2007
watercolour, pastel, pencil, ink on paper, mounted on board
40.4 x 30.4 cm |
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Huma Bhabha
The Orientalist
2007
Bronze
104.1 x 83.8 x 177.8 cm
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