•  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
  •  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
  •  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
  •  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
  •  Installation Shots From: Gaiety Is the Most Outstanding Feature of the Soviet Union
    Gaiety Is the Most Outstanding Feature of the Soviet Union
Saatchi Online
Saatchi Store
Current Exhibition

SELECTED WORKS BY Jack Strange

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Jack Strange
Untitled

2009

6 plinths with 6 Mac-book computers

Dimensions variable
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Jack Strange
Non-Stop Likelihoods (with detail)

2010

x 10 co-joined Twiglets in resin, plinth

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Jack Strange
It's Worthwhile

2010

Audio, sound of the artist’s stomach digesting pages of William Faulkner’s ‘The Sound and The Fury’

8'00

OTHER RESOURCES

artfacts.net
Additional images and information – Jack Strange

artnet.com
Various and images – Jack Strange

limoncellogallery.co.uk
Limoncello Gallery, London - Representing gallery for Jack Strange


tanyabonakdargallery.com

Tanya Bonakdar Gallery, New York. Selected images and past exhibition information.

friezeartfair.com
Frieze Art Fair 2009 – Information on Jack Strange

mootgallery.org
Jack Strange graduated from BA Fine Art at The Slade, London, earlier this year. After showing with Moot at Zoo Art Fair in October and exhibiting in "Took My Hands Off Your Eyes Too Soon" curated by Ryan Gander at Tanya Bonakdar Gallery, New York, Moot are pleased to host the first solo exhibition of Jack Strange, ‘The Stupidest Thing Alive’.

artreview.com
Jack Strange – it's a name that sounds so good, you would think it had been made up. I was introduced to Jack during studio visits at the Slade School of Art a few years ago – strangely enough by Jonathan Callan, an artist who used to teach me (that is often the way things work – through someone passing on a baton of knowing and appreciation). It was a group crit, and Jack was late. I was a bit disgruntled, imagining a confident and bloodthirstily ambitious posh kid, but in walked a slightly shy bloke whose eloquence came from speaking in examples rather than speaking on air.