| |
Skip navigation
|
|
 |
|
|
|
 |
|
|
|
|
 |
|
|
|
 |
|
 |
|
|
 |
|
 |
|
|
 |
|
 |

TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
|
|
 |
|
 |
|
|
|
|
Selected Works by Joanne Greenbaum
Joanne Greenbaum
Poster
2004
Oil and flashe on canvas
178 x 127cm |
Click
on images to enlarge
 |
Joanne Greenbaum’s
playful abstractions approach painting with a sense of liberation.
Primarily concerned with the formalism of plastic arts, her canvases
don’t follow proscribed formulas of conventional painting, but
rather continuously test and expand the possibilities by which painting
can evolve. In Poster, Joanne Greenbaum’s graphic composition
unfolds with its own rules of logic: bold shapes and colours are mapped
out and dissected by the improbable blueprint of their design. Joanne
Greenbaum’s diagram motif acts as both a structural device and
an extension of her painterly consumption; her delicately drawn lines
exhibit a contemplated intimacy and dimension of fantastical space,
suggesting an inexhaustible microcosm of illusionary delight.
|
Joanne Greenbaum
Table of Contents
2004
Oil on Canvas
178 x 254cm |
|
Drawing becomes
an all-consuming force in Joanne Greenbaum’s paintings; the
ephemeral intricacy of her surfaces is fixated in her concentrated
gestures. In Table of Contents, Joanne Greenbaum’s
solid masses of colour swell from and dissolve into attenuated mark-making:
purple and orange architectural forms spring up with sketchy velocity,
the matt black ground devours the painting, its smothering energy
disintegrating short of the canvas edge. The chaotic system of numbers
and diagrams serves as formalist play: the pleasure of stroking silver-white
over black, the frantic vivacity of red and blue squiggles dancing
between a web of lines. Table of Contents reads
like a lexicon of everything; an encompassing sentiment expressed
in minute detail.
|
Joanne Greenbaum
Trend Report
2004
Oil on Canvas
203 x 178cm |
|
Joanne Greenbaum’s
canvases display a rarefied process of precipitance. Greenbaum’s
paintings evolve through an organic process; her compositions directed
by their continuously evolving forms, creating spontaneous tension
through the immediacy of the artist’s hand. A deliberate lack
of editing transpires as painterly confidence: each gesture contains
an importance of its own realisation and ultimate contribution. In
Trend Report, Joanne Greenbaum’s forms drip, spill
and overlap in competition for space: doodled numbers claim territories,
while traces of lines rise defiantly through rich fields of colour.
By laying bare her process, Joanne Greenbaum’s painting resonates
with a sense of passing time, monumentalising the history of its own
creation.
|
Joanne Greenbaum
Workbook
2006
Oil on canvas
198.1 x 198.1 cm |
|
| |
Joanne Greenbaum
Prom King
2006
Oil, flashe and acrylic on canvas
279.4cm x 254 cm |
|
| |
Joanne Greenbaum
Prom Queen
2006
Oil, flashe and acrylic on canvas
279.4cm x 254 cm |
|
| |
| |
|



|
|