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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW


TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-Pablo Picasso
-Paul Cezanne
-Gustav Klimt
-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
-Henry Moore
-Cindy Sherman
-Jeff Koons
-Tracey Emin
-Damien Hirst
-Yves Klein
-Henri Rousseau
-Chaim Soutine
-Arshile Gorky
-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
-Juan Gris
-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
-Louise Bourgeois
-Marc Chagall
-Gerhard Richter
- Balthus
-Joan Miro
-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
-Alfred Stieglitz
-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
-Richard Hamilton
-Clyfford Still
-Luc Tuymans
-Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE
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Saatchi Gallery
Kai Althoff at The Saatchi Gallery

KAI ALTHOFF


Selected Works by Kai Althoff

 


Kai Althoff

Untitled

2001, Boat varnish, watercolour, pen and pencil on board

50 x 40cm

Click on images to enlarge

Kai Althoff, Untitled
Untitled shows a group of black-clad men gathered around a table, immediately suggestive of conspiracy and covert sexual tension. Kai Althoff portrays the intrigue in the paint itself: yellow confronting black, the tenuous texture of the fabric and the oblique fly-on-the-ceiling angle which compresses the subjects into their opposing directions.

His all-male cast of characters gives credence to the corruptibility and heroism of youth. Pictured with an authoritative voyeurism, Kai Althoff infers a complicit approval to their coven.


Kai Althoff

Untitled

1997, pen, pencil and tape on board

186 x 100cm

Kai Althoff, Untitled
Kai Althoff's soldiers are drawn with delicate stylised dandyism. Conveyed with refined nobility, debauchery and humanity become indistinguishable; cruelty is portrayed with an acute tenderness. Flattened to an almost decorative motif, Althoff’s scene reads like theatre. Reminiscent of Georg Grosz's depictions of Berlin’s WW1 underworld, deplorable action is staged for consensual pleasure, a chic poster glamorising the (un)desirable.


Kai Althoff

Untitled

2000, Lacquer, paper, watercolour and varnish on canvas

50 x 50cm

Kai Althoff, Untitled
Kai Althoff’s paintings of Prussian soldiers flirt with a homoerotic subtext. His decorated brotherhood thinly veils their carnal motives under the guise of authority. He paints his violence with a sensual tenderness, rendered in the creaminess of folk tale fantasy.


Kai Althoff

Winter

2002, aluminium foil, boat lacquer, ink, watercolour, metallic paint and varnish on canvas

60 x 40cm

Kai Althoff, Winter
In Winter, Kai Althoff uses a variety of media to add an unexpected quality to his graphic composition. Approaching the painting itself as collage, Althoff flaunts difference of style in each separate element to create tension and possible narratives within the unified whole.

Dark dream-like scenes adopt a painterly quality of reverence: a crouching figure is painted over crumpled aluminium foil, creating both a geological texture and reference to gilded religious icons. Sheltered like a grotto by a hard-edged militaristic design, punctuated by photographic images of stylised masculinity, they feed the painting with spirituality. Layers of ephemeral hues and high-gloss varnish create a transcendental illusiveness, perpetually flitting between gravitas and disco chic.


Kai Althoff

Untitled

1999, watercolour, pen and pencil on board

25.5 x 24cm

Kai Althoff, Untitled
Kai Althoff’s portrait is rendered with rudimentary simplicity: shape, tone and colour create a totality of exquisite presence. Untitled boasts a contained elegance, deceptive in its complexity. Sexualised with reference to Egon Schiele, Untitled is an overture of dandyism. Kai Althoff tenders this painting with the contrived scrutiny of the most discerning connoisseur. Haughty and self-possessed, Kai Althoff’s boy is a perfect specimen. Both ruffian and swan song, he encapsulates the duplicity and danger of idealised beauty.


 

 

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