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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW


TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-Pablo Picasso
-Paul Cezanne
-Gustav Klimt
-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
-Henry Moore
-Cindy Sherman
-Jeff Koons
-Tracey Emin
-Damien Hirst
-Yves Klein
-Henri Rousseau
-Chaim Soutine
-Arshile Gorky
-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
-Juan Gris
-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
-Louise Bourgeois
-Marc Chagall
-Gerhard Richter
- Balthus
-Joan Miro
-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
-Alfred Stieglitz
-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
-Richard Hamilton
-Clyfford Still
-Luc Tuymans
-Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE
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Saatchi Gallery
Matthias Weischer at The Saatchi Gallery

MATTHIAS weischer


About Matthias Weischer and his art


Text written by Patricia Ellis

Matthias Weischer’s paintings use architecture as a central theme to explore the possibilities of spatial illusion. His elaborate depictions of interiors are pure invention based in a quiet subversion of logic. Obsessive patterning, incongruous perspective and embellishment of off- kilter positioning are used to create psychological tension. Through the banality of design, Weischer presents a state of contemporary consciousness where model living is reflected as both desire and anxiety.

Matthias Weischer’s rich surfaces contrast geometric fields of hard-edged abstraction with highly rendered decorative details to create an eerie play between flatness and 3D. Starting with a blueprint of an empty room, Matthias Weischer builds his imagined locations layer upon layer, each added element further pushing the boundaries of perceived space. Dizzying repetitive motifs and Escher-like visual riddles nimbly allude to a sense of the uncanny. Suburban normality is infiltrated by an almost unnoticeable surrealism; floors become tabletops, flat-pack furniture is impossibly two-dimensional, and shadows are conspicuous either by their absence, or their absurd shapes and angles. Monotony is presented as a perpetual labyrinth of contemplative wonder.

Each canvas exposes the making of its improbable construction. Following underlying grids reminiscent of virtual reality, Matthias Weischer rigidly maps out the structure of fantasy. Never populated, his interiors give no hint of narrative; their décor is unplaceable in fashion timeline, and there are no clues to their inhabitants’ personalities. Instead, they operate as blank showrooms for the viewer’s projection, blurring the boundaries between public and private, individual and communal experience.

For Matthias Weischer, representation becomes a precarious consequence of abstraction; the gravity of each scene constantly flits in and out of focus in subliminal optical illusion. Imagining each location as an installation, Weischer uses painting to realise its image. Veering in style from tidy formalism to expressionistic gesture, he heightens the element of mystery. For Matthias Weischer, space is a conceptual enigma; painting becomes the realm of its capricious realisation.


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