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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Paul McCarthy 's Biography and Exhibitions
BIOGRAPHY
1945 |
Born, Salt Lake
City |
| |
Lives in Los Angeles |
SOLO EXHIBITIONS
| 2005-06 |
Lala Land Parodie Paradies, Whitechapel Art Gallery,
London |
| 2005 |
Santaclaus, Musuem Boijmans van Beuningen, Rotterdam, The
Netherlands
Lala Land Parodie Paradies, Haus der Kunst, Munich,
Germany
|
| 2005-04 |
Brain Box Dream Box, CAC Malaga, Centro de Arte Contemporaneo de
Malaga, Spain |
| 2004 |
Open, Arcadia University Art Gallery, Glenside, PA
Brain Box Dream Box, Vanabbe Museum, Eindhoven, The Netherlands
|
| 2003 |
Piccadilly, Hauser & Wirth, London
Film and Video Works,
The National Museum of Contemporary Art, Norway |
| 2002 |
Clean Thoughts, Luhring Augustine, New York
Video Tapes,
Butler Gallery, The Castle, Kilkenny, Ireland
Complete
videowerken 1971-1999, De Hallen, Haleem, The
Netherlands
Retrospective, Moderna Museet, Stockholm, Sweden |
| 2001 |
Video & Photography, Kunstverein Hamburg, Germany
Villa
Arson, Nice, France
The Garden, Deitch projects, New York, NY
Luhring Augustine, New York
Galerie Hauser & Wirth,
Zurich, Switzerland
The New Museum of Contemporary Art, New York
The Box, IBM Building, New York, NY
Group Show, Chac Mool
Gallery, West Hollywood, CA
Dialogues in Contemporary Art, MOCA
at the Geffen Contemporary, Los Angeles |
| 2000 |
Eleni Koroneou Gallery, Athens
Los Angeles Museum of
Contemporary Art
Heidi File, MOCA Geffen Contemporary, Los
Angeles, CA
Heidi File, Patrick Painter, Inc., Santa Monica, CA
The Fashion Show, George’s, Los Angeles, CA
The New Museum
of Contemporary Art, New York
Tokyo Santa Santa’s Trees, Blum
& Poe, Santa Monica, CA |
| 1999 |
Proposition, Collaboration with Jason Rhoades, David Zwirner
Gallery, New York
Dimensions Of The Mind: The Denial and the
Desire in the Spectacle, Sammlung Hauser und Wirth in
Der
Lokremise, St. Gallen, Switzerland
Tokyo Santa Santa’s Trees,
Blum & Poe, Santa Monica,CA
Death H and Early Performance
Photographs, Studio Guenzani, Milan, Italy |
| 1998 |
Photographs-Performance Photographs and Video, 1969-1983, Patrick
Painter, Inc., Santa Monica, CA,
Luhring Augustine, New York
Painter. Video and Drawings, Galerie Krinzinger, Vienna, Austria
Sod and Sodie Sock, Mike Kelley & Paul McCarthy, Secession,
Vienna, Austria |
| 1997 |
Santa’s Chocolate Shop, Galerie Hauser & Wirth, Zurich,
Switzerland |
| 1996 |
Yaa-Hoo, Luhring Augustine, New York
Video Works, Galerie
Drantmann, Brussels, Belgium
Videos and Drawings Galleri Nicolai
Wallner, Copenhagen, Denmark
SALOON, Air de Paris, Paris, France
Tomio Koyama Gallery, Tokyo, Japan |
| 1995 |
Luhring Augustine, 2nd gallery, New York
Hamburger
Kunsthalle, Hamburg
Art & Public, Geneva
Tomato Head,
Kunstlerhaus Bethanien, Berlin, Germany
Pinocchio Pipenose
Householddilemma Tour, Travels to: Air de Paris, Paris,
France;
Galeria Antoni Estra, Barcelona, Spain; Luhring
Augustine, New York; Galleria Nicolai
Wallner, Copenhagen,
Denmark; Esther Schipper Galerie, Koln, Germany; Studio
Guenzani,
Milan Italy; McKinney Art Center, Dallas, TX; Auckland City Art
Gallery,
Auckland, New Zealand.
Painter, Projects Room, Museum
of Modern Art, New York
5 Photographic Works, 1970-1974, Blum
& Poe, Santa Monica, CA |
| 1994 |
Altered, Austrian Cultural Institute, New York (two-person
exhibition with Rudolf Schwarzkogler)
Rosamund Felsen Gallery,
Los Angeles
Galerie Georges-Philippe Vallois, Paris
FRAC
Poitou Charentes, Angouleme
Air de Paris, Nice and Air de Paris,
Paris
Studio Guenzani, Milan, Italy
Le Fonds Regional d’Art
Contemporain, Poitou-Charente, Angouleme, France |
| 1993 |
Luhring Augustine, New York
Galerie Krinzinger, Vienna
The Dead Viking, Bucholz und Bucholz, Cologne
Video,
Ynglingagaten I, Sweden |
| 1991 |
Rosamund Felsen Gallery, Los Angeles |
| 1990 |
Rosamund Felsen Gallery, Los Angeles |
| 1987 |
Rosamund Felsen Gallery, Los Angeles |
| 1986 |
Rosamund Felsen Gallery, Los Angeles |
| 1985 |
AAA Art, Los Angeles |
| 1983 |
Paintings, Cirque Divers, Liege, Belgium |
| 1982 |
Human Object, Los Angeles Contemporary Exhibitions, Los Angeles |
| 1979 |
Contemporary Cure-All and Deadening, Los Angeles Institute of
Contemporary Exhibitions, Los
Angeles |
GROUP EXHIBITIONS
| 2005 |
Mixed-Up Childhood, Aukland Art Gallery Toi o Tamaki, New Zealand
John McCracken Paul McCarthy, Hauser & Wirth Zurich,
Switzerland
Dionysiac, Centre Georges Pompidou, Galerie Sud,
Paris, France
Girls on Film, Zwirner & Wirth, New York
Figure it Out, Hudson Valley Center for Contemporary Art,
Peekskill, NY |
| 2005-04 |
White: Whiteness and Race in Contemporary Art, International
Center of Photography, The Center for
The Art and Visual Culture,
UMBC, Baltimore, Maryland.
CACMalaga,Centro de Arte Contemporaneo
de Malaga, Spain
Friedrich Christian Flick Collection Im
Hamburger Bahnhof, Berlin, Germany |
| 2004 |
Los Usos de la Imagen. Fotografia, film y video en la Coleccion
Jumex, Espacio Fundacion Telefonica,
Buenos Aires, Argentina
Evidence of Impact: Art and Photography 1963-1978, Sondra Gilman
Gallery, Whitney Museum of
American Art, New York
Drafting
Deceit, Apexart, New York, NY
Accrochages: Selected Works, Marc
Jancou Fine Art, New York, NY
Disparities & Deformitions our
Grotesque, The Fifth International Site Santa Fe Biennal, Site Santa
Fe
Publication Fund
Sculpture and Form, John Berggruen
Gallery, San Francisco, CA
I am the Walrus, Cheim & Read,
New York
(In Search of) The Perfect Lover, Hauser & Wirth
London, UK
Point of View: An Anthology of the Moving Image, MAC,
Miami Art Center, Miami, FL
Monument To Now, The Dakis Joannou
Collection, Athens, Greece. An Official part of Athens
2004,
Culture, Olympic Games Cultural Program.
Public Art Fund
Projects in Central Park. A Collaboration with the Whitney Biennal,
Central Park, New
York
Speaking with Hands: Photographs from
the Buhl Collection, Guggenheim Museum, New York |
| 2004-03 |
Spiritus, Magasin 3, Stockholm Konstall, Sweden. Traveling to:
Jonkopings Lans Museum;
Bomuldsfabriken Kunstall, Arendal, Norge;
Sundsvalls Museum; Lansmuseet Gavleborg;
Goteborgs
Konstmuseum
|
| 2003 |
Not Afraid, Rubell Familly Collection, Miami, FL
Sitings:
Installation Art 1969-2002. The Museum of Contemporary Art
(MOCA), Los Angeles
Biennale d’Art Contemporain de Lyon 2003,”
Lyon, France
The Art of Chess, The Gilbert Collection, Somerset
House, London, UK
Orange, Expression Centre d’expostion de
Saint-Hyacinthe, Quebec, Canada
Twilight, London, UK
Micro
Politicas. Arte en Contidianida 2001- 1968. Art and Everyday Life
2001 - 1968, EACC ESPAI
McCarthy, Paul
d’Art Contemporani de
Castello, Valencia, Spain
Chang, Emin, Fisher and McCarthy, The
Moore Space, Miami, Florida
(In Search of) The Perfect Lover,
Staatliche Kunsthalle Baden-Baden, Germany
My Reality:
Contemporary Art and the Culture of Japanese Animation, Independent
Curators
International (ICI), New Traveling Exhibitions of
Contemporary Art, Des Moines Art Center
Spiritus, Magasin 3,
Riksutstallningar, Stockholm Konsthall, Stockholm, Sweden
The
Forth Sex. Adolescent Extremes, Fondazione Pitti Immagine Discovery,
Stazione Leopolda,
Florence , Italy
In Your Face, FRAHM LTD,
London
Imagine, You Are Standing Here In Front Of Me, Caldic
Collection, Boijmans Van Beuningen
Museum, Roterdam, The
Netherlands |
| 2002 |
Plus Ultra, Kunstraum Innsbruck, Austria
Shit Plug,
Paul McCarthy / Jason Rhoades, Galerie Hauser & Wirth,
Zurich, Switzerland
To Eat or Not to Eat or Relationship of Art
with Food in the 20th Century, Centro de Arte de Salamanca,
CASA,
Salamanca, Spain
Proposition: Jason Rhoades and Paul McCarthy,
Santa Monica Museum of Art, CA
Art Unlimited, Art 33 Basel,
Basel, Switzerland
Blind Mirror. Selections from a Contemporary
Collection, Museu de Arte Moderna de Sao Paulo, Brazil
Art After
Art, Neues Museum Weseberg, Bremen, Germany
Ahead of the 21st
Century. The Pisces Collection, Donaueschingen, Switzerland
Art
Downtown, Wall Street Rising, New York
Cadavre Exquis, Galerie
Georges-Philippe & Nathalie Vallois, Paris, France
Fallen
Heroes:Masculinity and Representation ESPAI d’Art Contemporani de
Castello, Castello, Spain |
| 2001 |
Depiction, curated by Peter Pakesch for the Steirisc[:her:]bst
Festival, Graz, Austria
Amused, Carrie Secrist Gallery, Chicago
ABBILD Recent Portraiture and Depiction, Landesmuseum Joanneum,
Graz
Paul McCarthy in Person, Tate Liverpool, Liverpool, England
TRANS> editions, Chac Mool Gallery, West Hollywood, CA
My
Reality: Contemporary Art and the Culture of Japanese Animation, ICI
Travelling Exhibition
Play’s The Thing: Critical and
Transgressive Practices in Contemporary Art, Whitney Museum
of
American Art, New York |
| 2000 |
Let’s Entertain: Life’s Guilty Pleasures, Walker Art Center,
traveling to Portland Art Museum, Musee
National d’art moderne,
Centre Georges Pompidou, Museon Rufino Tamayo, Miami Art Museum
Art at MoMA since 1980”, MoMa, New York
Video Time, survey
of Videos from the Museum of Modern art, NY
The Oldest Possible
Memory, Sammlung Hauser and Wirth, St Gallen |
| 1999 |
Parallel Lines: Mix and Match, Karen McCready Fine Art, New York,
NY
Bloom: Contemporary Art Garden, curated by Gianni Romano,
Milan, Italy
La Biennale di Venezia, 48 Esposizione
Internazionale d’Arte, dapertutto, Venice
Ruralia. Maaseudun
taide. Art of the Countryside, Porin Taidmuseo, Pori, Finland
Horse Play, Real Art Ways, Hartford, CT
The American
Century: Art & Culture 1950-2000, Whitney Museum of American
Art, New York
Lost, Ikon Gallery, Birmingham, United Kingdom
Mike Kelley and Paul McCarthy: Collaborative Works, The Power
Plant Contepmorary Art Gallery,
Toronto, Canada |
| 1998 |
Presumed Innocence, Virginia Commonwealth University
Collection un autre regard, capcMusée d’art contemporain,
Bordeaux
Figurative Sculpture, Patrick Painter, Inc., Santa
Monica, CA
L.A. Times, curated by Francesco Bonami, Palazzo Re
Rebaudengo per l’Arte Contemporanea, Guarene
d’Alba
New Works,
Patrick Painter, Inc., Santa Monica, CA
Pop Surrealism, Aldrich
Museum, Ridgefield, CT
Damenwahl: Monika Baer & Paul
McCarthy, Portikus, Frankfurt am Main (catalogue)
American
Presentation, The Theater of Self-Presentation, The Power Plant,
Toronto, Ontario, Canada
Veronica’s Revenge, Stedelijk Museum,
Sittard
Luhring Augustine, New York, NY |
| 1997 |
Performance Anxiety, Museum of Contemporary Art, Chicago
Out
of Actions: Performance and the Object, Museum of Contemporary Art,
Los Angeles
Sunshine & Noir. Art in LA 1960-1997, Louisiana
Museum of Modern Art
Whitney Biennial, The Whitney Museum of
American Art, New York
Natural Habitat, The Tannery. London,
England
Observations, Ydessa Hendeles Foundation, Toronto,
Canada
Deep Storage Arsenale der Erinnerung Haus der Kunst
Munich, Munich; traveling to Berlin and the U.S.
Scene of the
Crime, Armand Hammer Museum of Art and Cultural Center
Display,
Charlottenborg Exhibition Hall, Copenhagen, Denmark
Painting -
The Extended Field, Magasin 3 Stockholm Konsthall, Sweden
Tableaux, Museum of Contemporary Art, North Miami,
Florida.
Un bel été, Casino Luxembourg, Luxembourg
Paul
McCarthy and Benjamin Weissman, Christopher Grimes Gallery, Santa
Monica, CA
Dramatically Different, Centre National d’Art
Contemporain de Grenoble, France
4e Biennale d”art contemporain
de Lyon, Lyon, France
Surveying the First Decade: Video Art and
Alternative Media in the United States, SFMOMA,
San
Francisco |
| 1996 |
(nude), Trans Hudson Gallery
World Wide Video Festival, five
locations in The Hague
The Garage Project, MAK Center for Art
abd Architecture L.A.
Non! Pas Comme Ca!, Centre d’art Neuchatel,
Neuchatel Switzerland
Sex & Crime, Sperengel Museum Hannover
Low Cool, San Francisco Art Institute, San Francisco, CA
Image of Self as Another, Porin Taidemuseo, Finland
Reel
World Artists’ Fim and Video of the 1970’s, Museum of Contemporary
Art, Miami, FL
Controfigura, Studio Guenzani, Milano, Italy
SAMPLER 2 - More Videos from Southern California, David Zwirner
Gallery, New York
Les plastirs et Les Ombres, La Fondation pour
l’Architecture, Brussels, Belgium
Vito Acconci videos
performances viewing Fresh Acconci, Antheneum Campus Universitaire,
Dijon,
France
Portraits, Ydessa Hendeles Art Foundation,
Toronto, Canada
Comic Depiction of Sex in American Art, Galerie
Andreas Binder
The Paranoid Machine, Shoshana Wayne Gallery, Los
Angeles
Everything That’s Interesting Is New, Athens School of
Fine Arts, Athens, Greece
Art at Home: Ideal Standard Life,
Tokyo, Japan
Exposure, Luhring Augustine, New York
From
Figure to Object: A Century of Sculpture’s Drawings, Frith Street
Gallery and Karsten Schubert,
London
Shit, Baron/Boisante
Gallery, New York, NY
a/drift: Scenes From the Penetrable
Culture, Bard Center for Curatorial Studies, New York
Popcultural, South London Gallery, London, England.
Paul
McCarthy, Paul Noble and Allen Ruppersberg Jay Gorney Modern Art,
New York
Romper Room, Thread Waxing Sapce, New York |
| 1995 |
Kelley, McCarthy, Nauman, West, David Zwirner Gallery, New York
Murder, Thread Waxing Space, New York
Toys, Galerie Jousse
Seguin, Paris
Sites of Being, Institute of Contemporary Art,
Boston
The Raw, Postmaster Gallery, New York
Video Screening
Painter and “Heidi, Cinematheque, San Francisco, CA
New Visions
for Historic Neighborhoods, Weingart Galleries, Occidental College
Stereo-Tip, Soros Center for Contemporary Arts, Ljubljana,
Slovenia
Femininmasculin:le sexe de l’art, Musee National d’Arte
Moderne, Centre Georges Pompidou, Paris
Video News, the American
Center
Collisions, Arteleku, San Sebastian, Spain
Familiar
Places, Institute of Contemporary Art, Boston
infamie Autres
vicoires, Montlucon,Chateau de la Louvire, France
Marcel
Broodthaers — Correspondence, Gallery Hauser & Wirth, Zurich,
David Zwirner, New York
LA International, Correspondence, Track
16 Gallery, Santa Monica, CA
New History of the Infamy, FRAC
Auvergne, Montlucon, France
Fuori USO’95, Associazione Culturale
Arte Nova, Pescara, Italy
Le Mille e una Volta, Galleria d’Arte
Moderna e Contemporaenea, Repubblica Di San Marino
Identita e
Alterita, The Venice Biennial
Collection, fin XX Five Separate
locations, in conjunction with FRAC, Poitou-Charentes, France
Whitney Bienniel, Whitney Museum of American Art, New York
Mike Kelley and Paul McCarthy, Curates by Stephen
Schmitt-Wolfen, Kunstverein, Hamburg,
Germany
Bruce Nauman,
Mike Kelley, Franz West and Paul McCarthy, David Zwriner, New York
Endurance, Exit Art, New York |
| 1994 |
Luhring Augustine, New York
Galleri K, Oslo
Outside the
Frame: Performance and the Object, Cleveland Center for Contemporary
Art; Blaffer
Gallery, University of Houston; Snug Harbor Cultural
Center, Staten Island Porch Gallery,
Amsterdam (three-person
exhibition with Mike Kelley and Charlemagne Palestine)
Dirty,
John Good Gallery, New York
GIFT, The InterArt Center, New York
Hors Limites, Centre Georges Pompidou, Paris
Transformers,
travelling exhibition through 1997
Museo Nacional Centro de Arte
Reina Sofia, Madrid
Oh boy, it’s a girl, Kunstverein Munchen,
Munchen
Cocido y Crudo, Museo Nacional Centro de Arte Reina
Sofia, Madrid
Sculpture, Luhring Augustine, New York
Galerie
Asbaek, Copenhagen, Denmark, Daniel Oates, Lincoln Tobier, Larry
Johnson, Jeff Wall, Dan
Graham, Richard Prince, Meyer Vaisman,
Rodney Graham and Paul McCarthy
Altered, Two-person show, Rudolf
Schwarzkogler and Paul McCarthy, Austrain Cultural Institute,
New
York
Paul McCarthy - Mike Kelley - Charlemagne Palestine
- Dirk Larsen Torch Gallery, Amsterdam, The
Netherlands
Kus
Me Kus Me Zeeman De Vishal, Haarlem, The Netherlands
[cut] - Los
Angeles - 90’ernes kunstscene, Kunstforeningen, Copenhagen,
Denmark
|
| 1993 |
Privacy, Spazio Opos, Milan, January
Poliset,
Centrovideoarte-Palazzo Diamanti, Ferrara
I am the Enunciator,
Thread Waxing Space, New York, Kunstelerhaus Bethanien, Berlin
The Elegant, The Irreverent, and the Obsessive: Drawings in
Southern California, Visual Art Center,
California State
University, Fullerton, CA
The Eidetic Image: Contemporary Works
on Paper, Kramer Art Museum, Champaigne, IL; Newport
Harbor Art
Museum, Champaigne, Il; Newport Harbor Art Museum of Art, Newport
Beach, CA;
Everson Museum of Art, Syracuse
The Mere
Interchange, Aperto ’93, Venice Biennale, Venice
Sonsbeek,
Arnhem, The Netherlands
Action/Performance and the Photograph,
Turner/Krull Gallery, Los Angeles
United Film Project, Firminy,
France
Mr. Serling’s Neighborhood, Christopher Grimes Gallery,
Santa Monica
The Language of Art, Kunsthalle Wien,
Wien
Drawing the Line Against AIDS, Guggenheim Museum SoHo, New
York
Sampler: Southern California Video Collection, David
Zwirner Gallery; Studio Guenzani, Milan;
Galerie Daniel Buchholz,
Koln
Everyday Life, Kim Light Gallery, Los Angeles |
| 1992 |
Helter Skelter: L.A. Art in the 1990s, Museum of Contemporary
Art, Los Angeles
Roy Dowell paintings, Paul McCarthy drawings,
Renee Petropoulos studies, Rosamund Felsen Gallery,
Los Angeles
Paul McCarthy, Joyce Pensato, Arnulf Rainer, Luhring Augustine,
New York
Post Human, FAE Musee d’Art Contemporain, Lausanne;
Castello di Rivoli, Torino; Deste
Foundation for Contemporary
Art, Athens; Deichtorhallen Hamburg, Hamburg
Galerie Max
Hetzler, Koln
Rosamund Felsen Clinic and Recovery Center,
Rosamund Felsen Gallery, Los Angeles
Into the Lapse, 1301, Santa
Monica, July-August
Strange Developments, Anthony d’Offay
Gallery, London, September-October, Jack Hanley Gallery,
San
Francisco, November
Lax, Galerie Krinzinger, Vienna,
November |
| 1991 |
Ovarian Warriors vs. Knights of Crissum, Parker Zanic Gallery,
Los Angeles; Sue Spaid Fine Arts, Los
Angeles
The Body, Simon
Watson, New York
The Body (2), The Renaissance Society at the
University of Chicago, Chicago
Someone or Somebody, Meyers/Bloom
Gallery, Santa Monica
The Family Romance, Simon Watson, New York
Video Violence, Ars Electronica, Ling, Austria
Quick
Coagulation Forms the August Corpse, Rosamund Felsen Gallery, Los
Angeles
Presenting Rearwords, Rosamund Felsen Gallery, Los
Angeles
Ha-Ha, Roy Boyd Gallery, Santa Monica
Body and Body,
Grazer Kunstverein, Graz, Austria |
| 1990 |
New California Video: A Survey of Open Channels, 1985-90, Long
Beach
Past and Present: Selected Works by Gallery Artists,
Rosamund Felson Gallery, Los Angeles |
| 1989 |
L.A. Freewaves, American Film Institute Video Festival and
area-wide screenings, Los Angeles |
| 1988 |
Open Channels Video, Long Beach Museum, Long Beach
Tactical
Positions, Los Angeles Contemporary
New Works on Paper, Rosamund
Felsen Gallery, Los Angeles |
| 1985 |
B&W Drawings, Los Angeles Institute of Contemporary Art, Los
Angeles |
| 1984 |
Contemporary Eccentrics, Edge Gallery, Los Angeles
Assault
Video, Anti Club, Los Angeles |
| 1983 |
13/14 Artist Out of Line, Gallery 8336, Los Angeles
Video by
Performance Artists, Hallwalls, Buffalo |
| 1982 |
Works by Richard Newton and Paul McCarthy, Exile Gallery, Los
Angeles
Video Tapes America, American Center, Paris |
| 1981 |
Lately in L.A. Washington Project for the Arts, Washington D.C.
Objects by Paul McCarthy and Barbara Smith, Espace Gallery, Los
Angeles
California Performance Now and Then, Museum of
Contemporary Art, Chicago |
| 1980 |
Video 80, The Public Eye, San Francisco
Audio Works, Sixto
Notes, Milan |
| 1978 |
Video Tapes from Los Angeles, California, Nan Hoover Atelier,
Amsterdam |
| 1976 |
Outside Video Tapes, M.L. d’Arc Gallery, New York
Southern
California Video Anthology Part II, Long Beach Museum, Long Beach
Commissioned Video, University Art Museum, Berkeley |
| 1975 |
Southern California Video Anthology, Long Beach Museum, Long
Beach
Newspace Gallery, Los Angeles |
| 1974 |
Newspace Gallery, Los Angeles |
| 1973 |
Festival of the Arts, University of Southern California, Los
Angeles
Conceptual Art, Libra Gallery, Pomona |
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