| |
Skip navigation
|
|
 |
|
|
|
 |
|
|
|
|
 |
|
|
|
 |
|
 |
|
|
 |
|
 |
|
|
 |
|
 |

TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
|
|
 |
|
 |
|
|
|
|
Selected Works by Qiu Jie
Qiu Jie
Pèlerinage Vers L'Ouest
2000
Lead on paper
224 x 336 cm |
Click on images to enlarge
 |
Having trained in both Chinese high-realism and European multi-media schools and worked professionally as a decorator and designer, Qiu Jie’s drawings are informed from a wide range of aesthetic influence. ‘Qiu Jie’ itself is an adopted pseudonym: meaning ‘foreigner’ or ‘outsider’, conjuring images of a mysterious stranger negotiating the terrains of imagination. This sense of myth-making, exotica, and expedition is reflected through Qie’s work.
Executed in massive scale, and taking months to complete, Qiu’s pencil drawings are achievements of awesome endeavour. His painstaking process is canonised in the timeless quality of his images, which merge the styles and iconography of ancient Chinese art with traditional and contemporary Western imagery and references.
In Pèlerinage Vers L’Ouest, Qiu appropriates the Christian theme of the Flight Into Egypt. Infusing the decorative intricacy associated with age-old artisanship with a narrative surrealism, Qiu’s modern day mother and child are woven into the fabric of Eastern consciousness – pictured heading to their exile from an uncustomary direction, and sat astride a bull, the Chinese symbol of life. Rendered on a composite ground of multiple sheets of paper, the fragmented surface gives the drawing an authenticated effect of historical artefact. |
| |
Qiu Jie
Portrait of Mao
2007
Lead on paper
250 x 168 cm |
 |
Qiu's Portrait of Mao is a humorous play on words: "mao" means "cat" in Chinese. In traditional Chinese painting, an image of a cat holds special significance. Often coupled with a butterfly (to create "mao-die" or "long life"), it can be used to bestow a blessing. Rendered with the pastoral detail and calligraphy inscription of Song Dynasty masterworks, Qiu's drawing takes equal inspiration from eastern philosophies of beauty and wisdom and the kitsch populism of western artists such as Cassius Coolidge (of Dogs Playing Poker fame). Meticulously drafted in lead on paper, Qiu's sentimental homage offers a surrealist vision that's alchemically toxic, and seductively coy. |
|



|
|