•  Installation views - Out of Focus: Photography
    Slide 3
  •  Installation views - Out of Focus: Photography
    Pic 3
  •  Installation views - Out of Focus: Photography
    Slide 3
  •  Installation views - Out of Focus: Photography
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  •  Installation views - Out of Focus: Photography
    Slide 3
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Ry Fyan

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SELECTED WORKS BY Ry Fyan

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Ry Fyan
The Metropolitan Meth Silo

2006

Acrylic and ink on panel

30.5 x 35.6 cm
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Ry Fyan
The Things in Front of the Eye

2006

Acrylic, enamel, ink on metal plate

Painting: 43.2 x 49.5 Viewing Device: 63.5cm long
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Ry Fyan
Hood Rich

2007

Ink, acrylic & pencil on paper

31.8 x 39.4 cm
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Ry Fyan
The Cactus Bird

2007

Acrylic on board

22.9 x 35.6 cm
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Ry Fyan
The Reason Why So Many Things In This Life Are An Outrage Is Because You're So Gentle

2007

Acrylic and enamel on panel

50.8 x 50.8 cm
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Ry Fyan
Still One Place Left To Go

2006

Acrylic on board

58.5cm x 66cm
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Ry Fyan
No and Yes (SenĂ³r Frog's)

2007

Acrylic and enamel on wood panel

127 x 172.7 cm
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Ry Fyan
Spontaneous Self Organization

2008

Oil and acrylic on wood panel

182.9 x 213.4 cm

ARTICLES

Ry fyan - American Concentration Camp

The Proposition Gallery is pleased to present "American Concentration Camp" a series of recent works by New York based artists Dash Snow, Ry Fyan and Nico Dios curated by New York artist Andreis Costa.

Using hybridized drawing, painting, collage, and assemblage, the artists excavate and analyze societal remains from the past and present, both physical and metaphysical. Through this archaeology the work challenges trends and theories of the media mainstream.

The excruciatingly intricate panel works by Ry Fyan discuss a similar irony existing in this new generation of artists. Critical distance from the present stride towards technology and progress, the ascent to the future has many harking back to a familiar era where hand, craft and the maker's identity show through product labels and distortions in media. Invented cityscapes scattered by seemingly discarded everyday products strewn throughout.

With obsessive detail Fyan paints fantasy landscapes using spray paint, enamel and oil. The work is influenced by disaster both natural and man-made, the daily waste of a metropolis is buried within color fields and building structures rendered from preliminary drawings on layered transparency and collage.

Read the entire article here
Source: theproposition.com