SELECTED WORKS BY T Venkanna
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T Venkanna
Dream In Dream
2007
Oil on canvas
153 x 259 cm (Diptych) |
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T. Venkanna’s works are contemporary remakes of the early works of French painter Henri Rousseau, famed for his fantastical illustrations of jungle scenes and botanical gardens. Rousseau was chastised and then celebrated for his imaginative escapism and early primitive style in Paris. Venkanna, from his studio in Baroda, faithfully reproduced two of the works from Henri Rousseau’s repertoire. The first is appropriated from Rousseau’s 1910 painting titled The Dream. The historical significance of this work is not lost on Venkanna as he intentionally renders it as a post-modern image with idiosyncratic undertones. Venkanna adds a second panel to the Dream in Dream painting. Turned on its side, the thin canvas takes the same subject but satirises it using cartoons to the point where the panel becomes garish. |
T Venkanna
Two Moon
2007
Oil on canvas
213 x 153 cm |
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Two Moon is based on an original work by Rousseau entitled The Sleeping Gypsy 1897. In his second canvas from the series Venkanna has taken the original scene from Rousseau’s painting and duplicated it as a repetition of the motifs within the painting itself. With very deliberate alterations to his canvas, Venkanna’s sleeping gypsy is both alive and dead, as he paints in a skeleton where Rousseau had painted a resting figure in multi-coloured dress. The painting also resembles post-war American painting styles in using additional red arrows on the surface of the canvas, crudely labelling the edge of the work. |
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ARTIST INFORMATION
ARTICLES
Artist Statement
The predominant subject in my works has been sexual imagination, which also questions and engages with the stereotypical ways in which sexuality is understood and defined. The sexual behavior of human beings is habituated by the societal norms and conditions. I believe it is due to this, that the sexual fantasy/ imagination gains importance in a human being's life and an individual achieves extreme pleasure out of this simple act of day-dreaming, wherein he/she escapes from the harsh realities of this world/society via an undisturbed and uninterrupted flight of imagination. This kind of subject needs to take into consideration varied cultural practices as well as relation between human beings in a given time-space continuum. In addition, I believe contemplating on sexual fantasies and re-presenting them 'visually' would endow alternatives to violence and would make world peaceful.
My continuous persistence with this subject has furthermore stimulated my interest to explore 'image - making' in different kind of mediums. My work integrates aspects of the personal and the social using material/medium as per the subject's requirement. This assemblage of personal and social worlds has been the most important linguistic device which allows me to concentrate upon the whole process of image-building. The socio-political realities experienced by me in addition to the commonplace occurrences witnessed by me are translated into visual language. The intimate relationship between medium and visual form has been my engagement and via the process of image-building I explore this relationship.
In this endeavor of mine, I also have been 're-presenting' certain imageries/ motifs taken from artists of yester years [like Mondrian, Henry Rousseau etc.] as well as from specific forms of traditional art. The political and social contexts underlying these works were quite different. I re-present these imageries according to my idea, in the process critically evaluating the norms and terms existing within contemporary society.
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