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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Selected Works by Terence Koh
Terence Koh
These Decades that We Never Sleep, Black Drums
2004
drum kit, paint, ropes from a ship found after midnight, black wax,
plaster, vegetable matter, crushed insect parts, artist's blood and cum
Stool, 50 x 30cm
100 x 163 x 100cm
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Click on images to enlarge
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Terrence Koh’s sculptures are born of queer youth culture and luxurious decadence. Exuding a magnetic sensuality, These Decades that We Never Sleep, Black Drums is an object of obsession, its ebony coils trailing with enticement, visually echoing waves of noise. Luring with its swarthy depths, …Black Drums creates a suggestive void: of memory and fantasy, drawing connotations of art history, gothic subculture, and fetish gear. Using raw materials of cloth, metal, and plaster, Koh’s sculpture beacons with tactility, mirroring yearning and loss as physical desire.
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Terence Koh
These Decades that We Never Sleep, Black Light
2004
crystal chandelier, paint, lollipops, vegetable matter, human and horse
hair, mineral oil, rope from a ship found after midnight, glass shards,
stones and artist's blood and shit
190 x 72 cm |
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Taking the form of a boudoir chandelier, Terrence Koh’s These Decades that We Never Sleep, Black Light hangs with a tempting anticipation; its heavy weight dangles, both dangerous and beguiling, dripping opulent crystals and bijou. Rather than illuminating, the sculpture’s deadened black surface promises to devour. Flirting between pleasure and pain, lust and death, Koh offers a dark romanticism, filled with apprehension and possibility.
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Terence Koh
Do not doubt the
dangerousness
of my butterfly
song, black
2004
Metal vitrine, speakers, ipod, song with artist singing in his own
private language, paint, hair, male battus philenor butterfly and
blackened ash from a gingko tree
155 x 46 x 114cm |
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Terrence Koh’s Do no doubt the dangerous of my butterfly song is a model of seduction. Placed inside a glass case and accompanied by a soundtrack, his assemblage exudes a precious delicacy, enshrining ephemera of personal and queer significance. Hair, ash, and a butterfly are composed in frail arrangement, their ephemeral qualities hinting narratives of vulnerability, loss, and violence. Combining formalism with the deeply intimate, Koh’s work conveys a quiet restraint, pointing to the structured isolation of individual existence and the fragility of human experience.
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Terence Koh
Big White Cock
2006
sculpture, white neon, wires
132.1 x
121.9 cm |
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Crowing with early-hour neon glory, Terrence Koh’s Big White Cock is everything its title suggests! Illuminating with greasy innuendos of back-alley sex shops and mega-bucket chicken shacks, Koh’s electric sign pulsates as a high-design icon glamorising the art of slumming it. Addressing issues of race, gender, and sexuality, Koh turns the coded language of sub-culture into a fetishised logo of duplicity. In sexual terms a ‘chicken’ may be a gay teen or Chinese prostitute, but sometimes a cock is just a rooster!
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Terence Koh
Untitled (Medusa) 2006
Mixed media sculpture, wood, paint, plaster, urinal, steel, porcelain, mirror, glue, bonding paste, ashes, oil, burnt wood, light, wiring and artists piss
235 x 107 x 107 cm |
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Standing as a white cube within the white cube of the gallery, Terence Koh’s Medusa has the outward appearance of polished respectability. Through the door of his structure, however, it is revealed as a WC of iniquity, a literal closeting of desire. Decked out in dirty black, with rows of phallus-laden religious icons, and satanic plumbing fixtures, Koh’s toilet stall is both urinal and confessional, a smutty cupboard where seduction and transcendence are gleefully indulged.
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Terence Koh
Crackhead
(2 views and details)
2006
Mixed media - 222 heads of plaster, paint, wax, fire, charcoal, inside 22 glass vitrines, UV glue, paint, fingerprints, some vitrines with breaks and/or cracks
Dimensions vary with installation: sizes per vitrine vary from 60 x 35x 35 cm (largest), 50 x 30 x 32 cm(medium), 33 x 23 x 23 cm (smallest)
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Terence Koh
Untitled (Vitrines 5 - Secret Secrets)
2006
Mixed media sculpture
Dimensions vary with installation
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Terence Koh
The Camel was God, the Camel was Shot
2007 Cast of Artist's body, bronze and white patina.
22 x 179 x 55 cm
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