artfacts.net
Additional information on Terence Koh

artnet.com - The Bunny with Bite by Ana Finel Honigman
Without prior knowledge of Terence Koh’s multifaceted art practice, no-one peering into The Whole Family (Bigger), his tranquil installation in the 2004 Whitney Biennial, would connect him to his alter-ego, Asianpunkboy (APB) or assume he was the author of his eponymous custom-made books and website.
For the Biennial, Koh crafted a hut covered in white plush panels and filled with cornstarch. Pushing back a furry flap, the viewer was introduced to a pristine serene enclave decorated with idiosyncratic objects painted white, the memorial color for many non-Western cultures.

secession.at
In his work, Terence Koh mobilizes seduction, lust and desire. These moments exemplify a strategy that integrates a queer, polymorphously perverse approach into art production. The meaning produced by his objects is tightly interwoven with both private narration and a wide range of subcultural fields of association.

briansholis.com - Terence Koh by Brian Sholis
New York artist Terence Koh creates handmade books and zines, prints, photography, sculptures, performances, and installations. He first gained notoriety for his website and zine titled asianpunkboy.

extracity.org - Extra city explore the world of Terence Koh
Originally known as Asianpunkboy, Terence Koh has been prolifically productive in the queer-core underground for over a decade, producing art-porn zines and websites as well as art.

secession.at
Terence Koh generiert in seinen Arbeiten Momente der Versuchung, der Lust und des Begehrens. Sie stehen exemplarisch für die Strategie, queere, polymorph perverse Zugänge in die künstlerische Produktion einfließen zu lassen. Die Signifikanz seiner Objekte ist angebunden an private Narration und ein weites Spektrum subkultureller Assoziationsfelder. Dabei verwendet Koh oft triviale Materialien, die durch seinen transformativen Umgang einer nahezu klassischen Ästhetik wieder eingeschrieben werden.