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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Dan Farberoff
(Date of birth: 15/10/70, lives in Totnes - United Kingdom)
Dartington College of Arts | Artist photo
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My degree
PG Dip Performance in Cultural Location |
Work of art I would like to make
Expanding on my recent dance film, ‘Falling’ (Channel 4, ABC, Dance for Camera 2007; Music - Errollyn Wallen MBE; Choreography - Henri Oguike), and previous extreme slow-motion, and innovational video artwork, I propose the following installation:
“Big Art is about embodying inspiration, and the Big 4 is in itself a representation of this. There are other elements in the ‘4’ logo (blown up as it is, into monumental size and three dimensional space) that wonderfully symbolise this creative aspiration. The nine quadrangles, of which it is composed, evoke the nine muses who embody the arts and inspire the creation process. In Greek myth these water nymphs are the muses of: dance; music; comedy; history; tragedy; astronomy, and so forth. Exchange ‘history’ for ‘documentary’, ‘tragedy’ for ‘drama’; ‘astronomy’ for ‘science’, and the muses’ particular relevance becomes brilliantly apparent, ever-present, even in our present-day cultural programming.
In my installation, each quadrangular facet of the Big 4 will house a ‘muse’: a projected figure filmed underwater and in extreme slow motion; divorced from gravity, but contained within the frame; suspended between embodiment and the undercurrents of inspiration. While complete as individual pieces – and diverse in their apparent age, gender, and ethnicity – when perceived together, from an angle where the segments of the Big 4 ‘fall into place’, the muses will be seen to engage and interact with one another, creating a collective composition. Their slow movement will encourage passers-by to slow down and stop, immersed in this mesmeric dance. Projection will be from individual wide-angle projectors, in ‘black-box’ casing, suspended behind the Big 4 frame, and onto back-projection screens affixed to the front-facing facet of each of the Big 4’s segments.” |
Images for my Big4 artwork
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Other artworks that I've made since 2006
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