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| stephanie anne clark (Date of birth: 18/06/82, lives in Calgary - Canada) University of the Arts London, Central Saint Martins College of Art and Design. | Artist photo)
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| My degree MA Fine Art |
| Work of art I would like to make The ‘Big 4’ is made up of fragments like a grid; a predominant of my work involves the use of the grid. In the grid, lines are seen as a way to include, exclude or divide, but the constantly evolving lines in this structure changes such associations giving the viewer an experience of borderless movement. It is about the animation of spaces that are defined by movement. This is something that I would like to explore with the ‘Big 4’ structure. The new installation will animate, reanimate and three dimensionalize the structure it self. This will be accomplished by creating the entire structure, except the supporting frame, entirely out of two-way glass. This way I hope to draw the viewer by highlighting and emphasizing smaller moments or traces of history that make up the fabric of the environment in which they are encountering and interpreting the work. The glass will be reflective, reflecting itself and the objects around it. With reflection comes the idea of narcissism. Having a structure at this magnitude and being able to walk underneath and around one most obviously will look at oneself. Freud suggested that exclusive self-love might not be as abnormal as previously thought, and might even be a common component in the human psyche. He argued that narcissism is the desire and energy that drives our instinct to survive. You could argue it is in away self-documenting; an individuals reactions and reactions from others. This structure of self-documentation should focus the viewer more on the grid as a tool for dissecting space, compelling our acknowledgement beyond its frame. In this manner the viewer might inhabit the installation understanding themselves and their lives as moments cropped from an infinitely larger fabric. It might be through separating the work of art from the world, the grid as an introjection of the boundaries of the work and in mapping the space might highlight that our environment might become just as much the work of art. |
Images for my Big4 artwork
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Other artworks that I've made since 2006
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Copyright 2003-2006 © The Saatchi Gallery : London Contemporary Art Gallery
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