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Reports from Denmark

DANIEL KUNITZ: KIRSTINE ROEPSTORFF'S COLLAGE

'Collage is just like walking in the forest or in a city. You have houses, you have trees, but you don't walk into the houses or the trees, you navigate according to the defined measures...you walk in between in the yet undefined...I care mostly about what is going on in between-this is where I see the dynamics...It's partly why collage is so convenient for me, because I have all the images: they're your images, they're our images, everybody's, and I make them relate to each other.'



JACOB HOLDT AT LOUISIANA MUSEUM OF MODERN ART, DENMARK

Opening today is a major exhibition by Danish photographer Jacob Holdt who has made the US his subject for the last 40 years. Holdt has lived as a vagabond with America's poorest, hobnobbed with the Kennedys, spent time in black ghettos and amongst white hate groups. The 200 photographs in this show present an extraordinary visual account of America's underclass.



EDDIE MARTINEZ AT GALERIE MIKAEL ANDERSEN, COPENHAGEN

Eddie Martinez's universe is populated by a colourful cocktail of stylized figures and abstract shapes. Exotic flowers, birds, sports equipment, and figures with exaggerated eyes as well as dots, lines, and patterns are fighting for space on the canvas.



JACOB KIRKEGAARD AT HELEN NYBORG, COPENHAGEN


For his first solo show in Denmark the Danish sound artist Jacob Kirkegaard is showing a series of three sound installations and a series of photographs from an expedition he made to the deserts of Oman where he experienced the 'Singing Sands'.



JACOB AUE SOBOL ON HIS EXHIBITION AT THE MUSEUM PHOTOGRAPHIC ART, ODENSE

I came to Tokyo for the first time in the spring of 2006. It was a society I had never experienced before, one of which I had little knowledge and to which I had no real sense of relationship. Initially I felt invisible. Each day I would walk the streets without anyone making eye-contact with me. Everyone seemed to be heading somewhere - it was as if they had no need for communication.



LAST CHANCE: U-TURN QUADRENNIAL, COPENHAGEN

There are still 9 days to catch U-TURN, the first international quadrennial for contemporary art in Copenhagen, with more than 65 participating artists and an exhibition area of over 5000 m2.



PETER CALLESEN AT HELEN NYBORG, VALBY, COPENHAGEN

Themes of life, death, body and identity are brought into being in Peter Callesen's second solo show at Helene Nyborg Contemporary, entitled 'Paperman'.



LAST CHANCE: PETER RUNE CHRISTIANSEN AT HELEN NYBORG CONTEMPORARY, COPENHAGEN

Helene Nyborg Contemporary's show of new paintings by young Danish artist Peter Rune Christiansen closes on 13 October and if you're in Copenhagen it's definitely worth a visit. Inspired by the geological and archaeological word 'stratigraphy', Christiansen's paintings are in their own way a stratigraphic examination of time, an examination of how sound arises on canvas and an examination of romantic painting.



DEBUT: LARS WORM AT HELENE NYBORG, VALBY, DENMARK

For his first solo show the young Danish artist Lars Worm presents a selection of sculptural works often made by objects found in nature alongside manufactured wood. This combination of materials accentuates the dualism between "natural" and "fake" which is central to the humour in Worm's work. His "kitschy" approach to the concept of nature initiates a discussion of what is natural and how nature is defined.



YUJI WATABE AT HELENE NYBORG, VALBY, DENMARK

The ambiguity of appearances is one of the lurking themes in Yuji Watabe's series of photo-drawings: gossamer-like visions of mysterious young women in and out of anonymous forest woods, currently showing at Helene Nyborg's gallery in Valby, Denmark.



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