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Strange double Chilan painting -率性nature, the spirit of doing so

by chenqi

陈奇先生,旅居新加坡华裔著名油画家,双栖绘画理论创始人。
陈奇先生在长期艺术创作实践中,积累经验，勇于探索。从研究光和色的有机结合切入,深刻分析了西方不同时期、不同风格的近百名绘画大师的绘画作品,研究他们采用的材料和绘画技法,从理论上、观念上领悟他们的绘画精髓,从而创立了古典主义、印象派和现代派三者不等结合的绘画理论,这就是对当今世界油画领域产生巨大冲击和影响力的新光色绘画概念——双栖绘画理论。

奇特双栖绘画——率性自然、气韵丰盈

画家陈奇高度的知识修养、明确的审美角度、深厚的艺术功底……都给我们带来了无限的震撼。
当今社会，开放的文化视野促进了传统绘画在当代的发展和开拓的可能性，画家主体精神的觉醒，就是把对人生的理解置身于高尚的精神领域。荒芜的物质社会期待着精神领域的成长和发展，这一切体现在当代绘画成为艺术创作的因素。绘画本身就是“追求精神产品和灵魂价值的时代历程”。
为创立双栖绘画理论，解决色与光效应的再现而创建新的绘画艺术概念，陈奇先生首先从研究西方绘画大师作品入手。他选择不同时期的百余名西方绘画大师的经典作品，深入地分析他们绘画使用的材料和技法，并且从理论上、观念上去理解他们的绘画精神实质。如17、18世纪委拉斯凯兹、鲁本斯伦勃朗的戏剧舞台式光色空间概念艺术思想理念；19世纪莫奈、凡高、塞尚对光色的理解和物体反射光色的效果、限定空间及情感的宣泄方式；20世纪鲁奥、巴尔蒂斯精湛的绘画制作工艺和强烈的个人绘画风格……在对这些大师的传世之作一一进行深刻理解和揣摩后，形成了自己独特的绘画理念。 　
在这种理论指导下，陈奇先生运用了古典主义、印象主义、立体主义等多种学派的风格……创建了用不等式技巧相结合的方法奠定了个人绘画理念。在这种技法的指导下，陈先生的作品以一种傲然独立的面貌呈现在我们眼前。
其作品画面绚丽夺目、造型唯美准确、色彩斑斓多变。画面上的物体远近有机结合、造型相互呼应、空间协调统一。光线移动的变化，使画面色与型以感情结合，使物体与空间向前移动趋于平面立体化。
陈奇先生的绘画作品多次在美国、法国、英国、荷兰、德国、澳大利亚、新加坡等地展出，并被几十家美术馆广泛收藏。
陈奇先生的绘画作品《荷塘》（170cm*130cm）以20万新币的高价（合人民币百万以上）被新加坡万德画廊收藏；《荷花》（120cm*100cm）在新加坡售价六万新币（合人民币30万元）。该画以紫灰兰色调为主旋律，暖暖灰、紫群青、印度黄点滴玫瑰红为主色。在色彩上既单纯又丰富多彩，在造型上既简单又复杂饱满，是矛盾统一关系的硕果，在物体上睡莲和荷花两个品种两个形态合一。
色光的通用奇特，假定的固有色，利用多维空间的方法限定空间与移动空间各展示，左右的推移的切割各一节层次清晰。布局合理，重点突出花。在绘画技法上，刀与笔共同使用，刀法流畅、笔触大气、挥洒自如，宁静的湖水特写“荷莲”相恋形体嫁接花儿，静静开着，默默流水像是梦中莲花池，也像紫灰色的水中梦。清雅、洒脱、传神，浓淡皆相宜，色光更宜人，无言地述说、轻轻地呢喃，把人带入一个宁静悠远的世界……
画家追求一种心理直观的单纯感觉，追求无限空间、限定空间、移动空间、思维空间、表像空间,用不等式相加意识营造了一种真实又略带梦幻的感觉。花与水的笔触，色彩造型已经和古典、印象、现实主义手法有了相当大的差异。既具有古典派的严谨度，又包含了现代派的随意性。独特的表现性、独特的绘画语言，综合体现了画家丰富的内涵和修养，为我们打开了一扇窗，让我们珍惜无法取代的大自然，创造自然的生活空间，浮想联翩……
画家的创造具有鲜明民族地域特征而又超越民族与地域局限性的世界艺术，这才是我们当代艺术家的使命。因此，告别西方洋老师，又返归到东方历史长河寻师，从而选择了自己道路，让自己笔下的画即有东方泥土的芬芳，又从总体视觉到细部体验到渗透其中的当代意识。
望着这一幅幅充满力量的油画作品，我们能够感受到画家自己心路历程的强烈痕迹，表现他各个阶段创作特点，自成体系。
陈先生愿意将文化形态所造就的民族风格建筑在自然风景静物的基础上，刻意寻找的是人类感情中带着泛性的“荷莲”标志物。他强调意境的集中和概括表现，绘画中的物象安排不直观描绘，而是从个人感受和类比出发，尊重自己独特的感情取舍创作素材。
陈先生能深刻的表现自然。大自然是画家的天堂，油彩和画刀是画家钟爱的玩具，不停不倦地赞美自然，如同一个给大自然唱颂歌的仆人。将自己对自然的认识通过艺术的形态传递给世人，以宁静的空间净化现代都市人易于浮燥的心灵，通过绘画并引导广大民众静静坐下来，放下尘世包袱，慢慢走进自然、贴近自然、聆听自然的乐章……
从双栖绘画的理论观赏陈奇先生的油画作品，具有古典派的严谨度与现代派的随意性，独特的表现性，独特的绘画语言，综合体现了画家的知识与修养，让我们珍惜无法取代的大自然，创造自然的生活空间。
源于自然、刻画自然、归于自然。
关心人类、关怀社会、关爱地球。
静观自得、超越自然！
Mr. Chen Qi, who has lived in Singapore well-known Chinese paintings, and two-Habitat co-founder of painting theory.
Mr. Chen Qi in the long-term practice of artistic creation, and accumulated experience, the courage to explore. From the study of light and color into an organic combination of a profound analysis of different periods of time the West, nearly a hundred different styles of painting master paintings to look at what they used the materials and painting techniques, from theory, the concept that they understand the essence of the painting, which the creation of the classical, impressionist and modernist painting combining the three ranging from theory, this is the painting in the world today have a tremendous impact on the field and influence the concept of Xinguang color painting - painting theory dual habitat.

Strange double Chilan painting -率性nature, the spirit of doing so

A high degree of knowledge of the painter Qi cultivation, clear aesthetic point of view, a profound knowledge of art ... ... gave us unlimited shock.
Today\'s society, an open field of vision to promote the traditional culture in contemporary painting and explore the possibility of development, the main spirit of the awakening of the artist is to the understanding of life outside the field of noble spirit. Waste material and the spirit of the community is looking forward to the growth and development of the field, all reflected in the contemporary art of painting as a factor. Painting itself is \"the pursuit of the spirit and soul of the times the value of the course.\"
Painting for the creation of dual-habitat theory, to solve color reproduction and light effects and painting to create a new concept, Mr. Chen Qi first study master works of Western painting to start. His choice of hundreds of different periods of Western classical master works of painting, in-depth analysis of their use of materials and painting techniques, and theoretically, they understood the concept of the spiritual essence of the painting. 17,18 century, such as Velasquez, Rubens斯伦勃朗Optical theatrical stage the concept of color space art ideas; the 19th century, Monet, Van Gogh, Cezanne understanding light and color reflected light colored objects the effect of limited space and give vent to their feelings the way; Rouaud the 20th century, painting Balthus superb production technology and strong personal painting style ... ... the master of those handed down one by one for the deep understanding and try to figure out after the formation of a painting their own unique ideas.
In this theory, under the guidance of Mr. Chen Qi to use the classical, impressionism, cubism and other school style ... ... inequality techniques used to create a method of combining the concept of laying a personal painting. In this technique, under the guidance of Mr. Chen\'s works in a face of a proudly independent in our eyes.
Beautiful eye-catching images of their works, aesthetic form is accurate, colorful and varied. Near and far objects on the screen to the organic combination of form echoing each other, space harmonization. Changes in the movement of light, color and type so that the screen combine to feelings, so that moving objects tend to space three-dimensional plane.
Mr. Chen Qi\'s paintings many times in the United States, France, Britain, the Netherlands, Germany, Australia, Singapore and other places on display, and a broad collection of dozens of art galleries.
Mr. Chen Qi\'s painting \"Lotus Pond\" (170cm * 130cm) 20 million new high-value currency (RMB million kg and above) were Singapore Wande Gallery Collection; \"Lotus\" (120cm * 100cm) in Singapore, the new price of 60,000 yen (collectively, 300,000 yuan). Chilades blue paint to the color for the main theme, warm gray, purple Ultramarine, India Yellow Rose Red color drip. In color on both the simple and colorful, in the form is simple and the full complex, contradictory unity between the fruit, the objects of two varieties of water lily and lotus one of two forms.
Universal strange light, it is assumed that the inherent color, the use of multi-dimensional space and the way to limit the display of the mobile space, around the time of cutting the level of one of the clear. Rational and focused spending. In painting techniques, the common use of a knife with pen, blade smooth, touch the atmosphere, could he, a quiet lake close \"Dutch Lotus\" grafting physical love flowers, quietly open, quiet pond water like a dream, like the water purple gray dream. Elegant, free and easy, vivid, shades are affordable, light more pleasant words to describe, twitter gently to a quiet person into the distant world ... ...
The artist to pursue a purely psychological intuitive feeling that the pursuit of unlimited space, limited space, the mobile space, thinking of space, form, like space, combined with awareness of inequality and create a true sense of fantasy and a bit. Strokes and water flowers, color and classic design has been impressed, realism means a considerable difference. Both the rigorous classical degrees, and contains arbitrary modernist. The performance of the unique nature of the unique language of painting, the artist embodies a comprehensive wealth of content and self-cultivation, for us to open a window, let us treasure the irreplaceable nature, and create a natural living space, to the imagination ... ...
The creation of the artist with distinctive ethnic and geographical characteristics beyond the geographical limitations of national and world art, contemporary artists and this is our mission. Therefore, teachers bid farewell to the Western Ocean, but also to the East返归search history division, which has chosen its own path, so that their own works of art that is fragrant Oriental soil, and from the overall visual experience to penetrate the details of the contemporary consciousness.
Looking at this painting paintings full of strength, we can feel the mentality of the artist himself strong traces of the performance of the various stages of his creative characteristics, its own system.
Mr. Chen is willing to cultural patterns created by the construction of the national style still life in the natural landscape on the basis of deliberately looking for the feelings of human nature in the pan with the \"Dutch Lotus\" markers. He stressed that a general mood of concentration and performance, painting the images in the visual depiction arrangements, but from personal experience, and analogue, the respect for the feelings of its own creative material choice.
Mr. Chen\'s performance can be profoundly natural. Nature is a paradise for painters, paint and painting knife is a favorite toy artists, non-stop praise tireless nature, as to the nature of a servant to sing carols. Their understanding of nature through the form of art passed on to the world to a quiet room for easy purification of the modern city浮燥heart, through the painting and guide the broad masses of people to sit down quietly, to lay down their earthly burdens, slowly into the nature, close to nature, listen to the natural movement ... ...
Drawing from the theory of dual-habitat viewing paintings of Mr. Chen Qi, with the rigorous classical degrees of randomness and the modernist, the unique performance, the unique language of painting, the artist embodies a comprehensive knowledge and self-cultivation, so that we can not treasure replaced by nature, and create a natural living space.
From nature, portraying nature and attributed to natural.
Concerned about the human, caring society, the earth-friendly.
Wait and see life, beyond the natural!

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