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4 NEW SENSATIONS 2009 CHANNEL4 TV PRIZE AND EXHIBITION FOR SAATCHI ONLINE ART STUDENTS



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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW


TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS

AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:

-Pablo Picasso
-Paul Cezanne
-Gustav Klimt
-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
-Henry Moore
-Cindy Sherman
-Jeff Koons
-Tracey Emin
-Damien Hirst
-Yves Klein
-Henri Rousseau
-Chaim Soutine
-Arshile Gorky
-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
-Juan Gris
-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
-Louise Bourgeois
-Marc Chagall
-Gerhard Richter
- Balthus
-Joan Miro
-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
-Alfred Stieglitz
-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
-Richard Hamilton
-Clyfford Still
-Luc Tuymans
-Claes Oldenburg

TO SEE THE FULL 200 CLICK HERE
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Saatchi Gallery
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USA TODAY

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USA Today

Andreas Whittam-Smith, The Independent

I went to the Royal Academy to see USA Today, an exhibition of paintings, sculptures, photographs and installations by 40 young American artists. With its sheer energy (Kristin Baker), its elegance (Ryan McGinness and Matthew Brannon) its wit (Aleksandra Mir) and its cleverness (Wangechi Mutu), it is a thrilling spectacle.

It would be wrong, however, to take the exhibition as fully representative of the state of American contemporary art. More accurately, it is what currently interests Britain's greatest collector, Charles Saatchi. All the work on show comes from the Saatchi Gallery. Is it Mr Saatchi or American artists in general, who tend to see the world not as utopia but as dystopia, where deprivation, oppression and terror are our everyday condition?

Some artists in the show focus on the bleakness of urban life, where decisions that affect our lives are made by people we cannot reach, where social divisions are like chasms, and where people often feel like they were worker ants in a huge nest. And some are anti-consumerist, like Banks Violette, who has an installation which comprises old refrigerators and other domestic equipment, as if found abandoned in a store room after a new ice age, their owners long since disappeared, presumed dead, and everything now covered with a salty white frost, all utterly useless.

Yet even I, one of nature's optimists, more likely to imagine utopia than dystopia, thoroughly enjoyed USA Today. It isn't like an art museum, or even a normal Royal Academy exhibition, where only good stuff is on display. There is dross too. But above all, USA Today insistently asks questions. Erick Swenson's model of a dead white deer on frozen city cobbles, what was that all about? The distorted female figures in Inka Essenhigh's oil-on-linen picture Shopping, what were they telling us?

Is this art? Yes, it makes us see more clearly, feel more passionately and think more deeply. But, of course, art provides no answers.






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