| Martin Verges Rilla works, in his drawings and paintings, around the problems of the portrait and its implications. He instills the doubt in the exhibition room. He raises paradoxes and contradictions within a structure that brings up the invention of reality, the reality of the invention. He sets in the suspicion in the pictorial world. He opens up room for incredulity, hesitation and speculation. He captures reflections on the painting, the verisimilitude, the truth, the illusion, the control and the lack of it and the possibility to assimilate the other. |