g-module first appeared in Paris in 2001 with the vocation to be a window for the New York art scene, by presenting a selection of emerging artists hardly ever exhibited in Europe. These artists, having singular and different creative personalities, all emphasize an impure manner of artistic research mixing scientific, political and journalistic sources to experimental forms of representation. At once, they interact with history, and veer away from it by means of a lucid delirium, automatism, or even derision. They all converge somehow into one single gaze on the contemporary world, a perception also defining g-module's point of view.