Gallery/Dealer Photos (1)
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| Albert Mertz, Dove Bradshaw, William Anthony, Jeannette Ehlers, Jes Brinch, Thorbjørn Lausten Bella Angora, Søren Dahlgaard, Barbara Husar, Nikolaj Recke, Iv Toshain, Mogens Otto Nielsen and others |
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Sample Art Work (11)
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24 March 2012 until 27 April 2012
LOVE AND PAIN Vu Thi Trang
LIFE IN THE FAST LANE Jes Brinch
BACK SPACE:
Stalke is proud to invite you to the two simultaneous exhibitions by Vu Thi Trang and Jes Brinch.
LOVE AND PAIN is an exhibition of paintings by Vu Thi Trang about women’s situation in Vietnam. The paintings tell stories about violence, abuse, poverty, superstition, prostitution, corruption, and love and pain. Trang's paintings are both very serious and fun at the same time, and all the stories told are based on real life.
LIFE IN THE FAST LANE is a series of marble sculptures by Jes Brinch about the use of cocaine. The sculptures show a rock star, a designer, a ballet dancer, a journalist, a male stripper, a gallerist, two priests and a family on coke. The inspiration for the sculptures comes from astonishment about the fact that the use of cocaine has accelerated and become almost common in the last 10 years. A series of brand new paintings are also presented.
and
FRONT SPACE:
Artstamp.dk +Guest
Thomas Bang, Albert Mertz, Jes Brinch, Dove Bradshaw,
William Anthony, Anne Bennike, Vu T... [ Read all ] |
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Stalke Galleri
ARTSTAMP.DK
26.03.2011 - 04.05.2011
Artstamp.dk (Projectroom)
Representing artist:
Jeannette Ehlers, Iv Toshain, Berit Heggenhougen-Jensen, Nikolaj Recke, Sebastian Quedenbaum, Albert Mertz, Dove Bradshaw, Thorbjørn Lausten, Søren Dahlgaard.
Kunsthall Brænderigården
Artstamp.dk+ Guest
15.4 to 22.5.2011 |
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Exhibition Photos (1)
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TOPOGRAPHICAL REFLECTIONS
THOMAS BANG
The lozenge shape, which is dominant in the drawings, “Topographical reflections”, appearing on the stamps, emerged initially in Thomas Bang’s drawings from the mid-sixties. Since that time the lozenge image has occasionally re-appeared, primarily in sculpture- and installation contexts and generating various references.
As a result of one of Bang’s recent interests: Egyptian Funerary Portraits from the Roman Period, this image once again crops up in his work. The entire shape of these portrait paintings is roughly that of a lozenge. Bang’s interest focuses on the appearance of the realistic painting style of the mummy portraits (1st and 2nd century AD) as entirely isolated and incongruous images forced upon the context of images of a long standing Egyptian burial tradition.
This severe disruption of context and the near disintegration of image over time which many of the portraits suffered, served as the initial point of departure for this series of drawings appearing on the stamps. The conditions of incongruity and breakdown of image found in these portraits relate to... [ Read all ] |
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New Artstamp.dk
TOPOGRAPHICAL REFLECTIONS
The lozenge shape, which is dominant in the drawings, “Topographical reflections”, appearing on the stamps, emerged initially in Thomas Bang’s drawings from the mid-sixties. Since that time the lozenge image has occasionally re-appeared, primarily in sculpture- and installation contexts and generating various references.
As a result of one of Bang’s recent interests: Egyptian Funerary Portraits from the Roman Period, this image once again crops up in his work. The entire shape of these portrait paintings is roughly that of a lozenge. Bang’s interest focuses on the appearance of the realistic painting style of the mummy portraits (1st and 2nd century AD) as entirely isolated and incongruous images forced upon the context of images of a long standing Egyptian burial tradition.
This severe disruption of context and the near disintegration of image over time which many of the portraits suffered, served as the initial point of departure for this series of drawings appearing on the stamps. The conditions of incongruity and breakdown of image found in these portraits r... [ Read all ] |
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