Press Releases - Westwood Gallery, NYC
paintings and drawings, 1950s - 60s
Curated by James Cavello
May 11 â€“ June 29, 2013
WESTWOOD GALLERY NYC exclusively represents the Estate of James Juthstrom
WESTWOOD GALLERY NYC is pleased to present an exhibition of figurative paintings and drawings by James Juthstrom. For 50 years this reclusive artist dedicated himself solely to the creation of art in his SoHo loft. Even though he lived near a thriving gallery scene and created artwork alongside the camaraderie of New York School artists and Abstract Expressionists, he was reluctant to find representation. The drawings and paintings on view reflect Juthstromâ€™s intensive exploration into his private inner life as an artist.
The 27 works of art on exhibit provide insight into Juthstromâ€™s lifelong quest to balance his representational concept with his abstract vision. Trained at the Brooklyn Museum School of Art, he studied life drawing and created an expansive body of work. In a New York Times review of a Brooklyn Museum of Art exhibition, Roberta Smith speaks of drawing as â€śthe most intimate and honest of all art mediums.â€ť Juthstromâ€™s drawings are indeed very personal, meant as an artistâ€™s exploration of form and line.
From the early line drawings, masterful in their simplicity and expressiveness, Juthstrom moved on to large scale paintings on canvas, challenging his perspective within the confines of space. His idiosyncratic depiction of his loft and the anonymous figures populating the empty rooms provide a unique psychological portrayal of an artist who severed his ties to the world of commercialism. The paintings always depict the artistâ€™s studio with emphasis on the floorboard and a faceless figure, most likely the artist himself. The scenes of the interior become cryptic, with mirror like boxes reflecting hidden figures or space. Shadowy figures lurk in the background, watching the interior from behind screens; no faces are visible, except maybe as reflections. Often, the symbolic compositions disintegrate into pure color, line and form, reminiscent of fauvism. The narrative is always mysterious; his dystopic vision is most explicitly expressed in his color figurative drawings, which can be seen as a diary of the secretive artistâ€™s innermost experience. The paintings illustrate the artistâ€™s decision to withdraw from the outside world and create in the solitude of his studio.
James Juthstromâ€™s artwork has recently been re-discovered, uncovering five decades of painting, drawing, etching and sculpting. Westwood Gallery NYC is archiving the artistâ€™s work of five decades including paintings based on circular abstract shapes and series of esoteric figurative work.
James Juthstrom was recognized by critics early in his career and was included in numerous museum group exhibitions, including Whitney Museum of American Art, The Pennsylvania Academy of the Fine Arts, Detroit Institute of the Arts and Brooklyn Museum. He also had several solo exhibitions at galleries, including Gallery G in New York, which received a review in the New York Times, Paul Schuster Art Gallery in Cambridge and Landmark Gallery in New York. He died in May of 2007, leaving behind a legacy of his lifetime dedication. Since the release of his estate collection, museums and collectors are reviewing the artwork for acquisition and discovering the history of this brilliant artist. Juthstromâ€™s most recent retrospective exhibition was reviewed by ARTnews and Art in America.
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