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Permanent Collection - Museo de Arte Contemporáneo (museosdemadrid. Arte Contemporáneo)

The Museum’s permanent collection is made up principally of painting and graphic work although sculpture, photography and drawing are also represented. The permanent collection is exhibited chronologically on the second floor of the Museum and subdivided into the following categories:

HISTORICAL VANGUARDS
This section, which opens the permanent collection, showcases the work of artists such as Francisco Bores, Benjamín Palencia, José Caballero, Daniel Vázquez Díaz and Hipólito Hidalgo de Caviedes.

NEW CREATORS
Under the title ‘New Creators: Figuration and Abstraction’ this section brings together a wide range of artists who represent, using very different languages, a broad spectrum of tendencies and aesthetics. In the abstract category we can see works by Alejandro Corujeira, Alberto Reguera, Xavier Grau and Amaya Bozal. The figurative section is represented by artists such as Juan Carlos Savater, Sigfrido Martín Begué, Abraham La Calle, Dis Berlin and Fernando Bellver, among others.

REALISMS
Realism – or rather realisms – are represented here in their multiple fields: intimate, urban, fantastical or scenery. This section is opened by Amalia Avia and Isabel Quintanilla. The urban iconography of Madrid is represented by Daniel Quintero, José Manuel Ballester, Félix de la Concha and Menéndez Morán. Jesús María Lazkano and Carlos Díez Bustos offer examples of realism as applied to scenery and the fantastical. Luis Mayo offers a slightly metaphysical vision of some Madrid enclaves.

NEW FIGURATION AND ABSTRACTION OF THE 80S
The Museum has dedicated fours rooms to this section which shows a wide variety of artists who fully reflect the rich artistic panorama in Madrid post-informal abstraction and neo-figurative tendencies. Among them the presence of Eduardo Arroyo, Juan Genovés, Alfonso Fraile and Eduardo Úrculo must be highlighted. The New Madrid Figuration is very well represented by works from the time by Juan Antonio Aguirre, Carlos Alcolea and Manolo Quejido. Abstraction from these years is represented by Alfonso Albacete,


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