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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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About me - Fiona Long
www.fionalongart.co.uk
The main motivation for my work is to encourage people to look at their worlds in a different way and to explore their surroundings with a kind of childhood excitement. I would love the opportunity to encourage a new way of looking into more people’s lives. I like to focus on the everyday and bring a new twist to it, to explore a new way of perceiving.
My current work focuses on an investigation into what the archaeology of the future might be, following an apocalyptic event. What might the resulting population make of and from the relics we leave behind from our everyday lives? How ingenious might they be? What might their belief systems suggest? What is it like to live “After day X”?
I focus on a point just beyond survival, examining the functionality of objects and the ingenuity of humankind. Using objects which are familiar to us and combining them with ancient bush-craft techniques, the resulting sculptures feel both comfortable and uncanny at the same time, encouraging the viewer to keep looking and place themselves in our time and place and to heighten their awareness of the world they live in now. I’m preoccupied by the interaction between man and nature and so the weathering of these objects used in the sculptures is important in the aesthetic and the concept.
I place myself in an almost meditative state when I make this work, crouching on the floor, scrabbling through the objects I’ve collected, trying to make sense of them in a different way; thinking about practicality or spiritual significance through a mixture of initiative based and aesthetic decisions. Considering the potential meaning of what is gathered together. I trawl the streets looking for materials. It’s an obsession!
My first ever job was surveying landfill sites and I used to go through skips with my father as a very young child so my salvaging and hording behaviour set in at an early age. We were almost self sufficient…living like “The Good Life”. I always loved to be outdoors and attended many woodlore courses with Ray Mears before he was famous. My work is very much influenced by these childhood experiences.
My next step is to combine the sculptural objects with paintings of the objects in an elaborate environment constructed from compartmentalised found materials. All the elements of the installation will be in conversation with each other and give a sense of precariousness; displaying basic human preoccupations of collection, making and display. These are elements which can be compared to the art industry itself.
More about me
< Back to my profile
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