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TOP 200 ARTISTS
OF THE 20TH CENTURY
TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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Richard Higham
Deferred
Contemporary Outsider Conceptual Art. D.O.B: 13th March 1985. Email address: richardhigham@f2s.com
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My Art (54)
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My Photos (27)
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Sali Binard <sahlib>
Your work struck an immediate chord with me. Very intense and thought provoking. The Cane Hill Project was an impressive feat. I look forward to seeing more of your work. Apologies that my comments are so bland but I'm still thinking about your opening paragraph and the Cane Hill Project site. It has my mind simmering on things now. Thanks for the jolt. |
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Martha Todd <Berthasquid>
howdy Richard!
Yep your work is wicked and diverse and refreshing.....lovin g it big time!
Marlon Dingle |
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Dale A. LUCORE <LUCORE>
Thank you for your comments on my works , As i browsed over yours i noticed a great infuance of surility in your photos of building ,you have a artist eye,truely... Dale Lucore
http://www.globalbui lt.com |
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Thomas Lammers <tlammers>
____________________ ____@@______________ ___________ ____________________ __@____@____________ ____________ ____________@@@_____ @_____@________@@@__ ____________ __________@_____@___ _@_____@______@____@ ____________ __________@_____@___ _@_____@_____@_____@ ____________ ___________@_____@__ _@_____@____@_____@_ ____________ ___________@_____@__ _@______@___@____@__ ____________ ___@@_____@_____@___ @______@__@____@____ ____________ __@___@____@_____@__ @______@_@_____@____ ____________ _@_____@____@______@ _@______@______@____ __@@@_______ __@_____@____@______ @________________@_@ @______@____ __@_______@_@_______ ____________________ _______@__ ____@_______________ ____________________ ______@__ _____@______________ ____________________ _____@____ ________@___________ ____________________ ____@_______ __________@_________ ____________________ ___@_______ ____________@_______ ____________________ __@_______ ______________@_____ ____________________ _@_____ _______________@____ ___________________@ ____________ _________________@__ ________________@___ ___________ ___________________@ @___________@@______ _________
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Claudia Rickert <crrickert>
Richard, I feel the need to once again compliment you. The sensitivity of you work is hard to escape. I feel sadness and despair in each and every building that you have photographed. These photos bring forth the emotion of losing something that was strong, beautiful, and full of life. They were alive. They have lost their usefulnes and have become expendable. Now they are left to decay and then to be destroyed. Not unlike how "humans" treat other living beings. Be it animals, plants, the earth or other humans. I think that your sculpture brings this feeling back on the human level. The persons rights are taken away. This might not be death...but it does seem to be an end.
Thank You Richard.
Claudia |
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Claudia Rickert <crrickert>
Richard- Your "Flintstones parody" of street people are saddening. Even though they are in a cartoon style, they have a feeling of malice. A sense of doom. Looking at these paintings I have a strong desire to rid the earth of these miscreants...or at least beat some sense into them. How interesting. I wonder if these characters were in a cartoon for children, what effect would they have on them? I imagine it would be quite different than that of The Flintstones, or maybe not. These evil creatures might have watched The Flintstones too. What a chilling thought. |
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Claudia Rickert <crrickert>
Richard,
This last piece is so moving and full of information. I wish I could see it in person so that I could take a closer look at each bit of information. Thanks for the insight. Claudia
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Sophie Nuthall <soph-starphoto>
really beautiful images, great contast, you have really understood every inch of the places you shoot with comes through in your work. Fab Sophie Nuthall |
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Yodet Gherez <yodett>
I love your 1 in a million series. I think its: Strangled, run over by car, shot, throat slit, poisoned, drowned, jumped off a bridge and not sure about last one..burned alive?..
If I got em all right, I will start to worry! :-)
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Laura Anne Goodwin <LauraGoodwin>
I love your work its so interesting and something thats not seen very often, I especially liked the 3 works called 'Where was God this time' they get the message across really well. keep it up. |
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Kyama Fraser <kyama30>
Hi Richard,
Just had a look at your work and it is as everyone else has said amazing... You show true passion for what you are doing and its great to see. Your passion definately shows in your work.
Kyama |
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Claudia Rickert <crrickert>
Richard- I have to say that "One Memory..." is my favorite painting of yours. Looking at this piece at first gives me this odd feeling of security. The cradling effect of the building and tree. The clear blue sky against the warm interior light. The lush green grass. But at another glance I feel a morphing effect. Every thing is falling apart. It turns into a wicked dream or like looking into the mind of a tortured soul. |
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Alexander N. Arvanitis <AlexvanKuik>
Hi Richard,
I wanted to thank you for your very kind words. It seems you're one of the very few persons right now to believe my work actually has a meaning, and, just so you know, I highly appreciate it. It is always a good feeling for an artist to know his work is appreciated.
I must, though, again state how much I admire your work as well, especially your sculptures. You seem to have a quite original approach on social statement, which I find both amusing and disturbing (in a good way, though).
Anyway, that's about it, thanks again.
Greetings,
Alexander |
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Antonio Melo <antonioMelo>
Ehi Richard!
Great work indeed! I love your serie of selfportraits... it is so intense... you are really one of my favourites artists in Saatchi!
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Caroline Simone Stone <caroline>
Richard...evocative work especially like the 'Phone', in truth we are now so dependent upon modes of communication that we are loosing our sense perception. |
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Romana Yaroshchak <Romana>
Hi Richard,
Thanks for you friendship )
I like your series "One in a Million". I hope you yet do not wish to die. Please, it is not necessary!
Sincerely,
Roma
http://romizm.com/ |
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Nick Robson <Nick-Robson>
Vivid, expressive and mesmerising work as always! Putting music to some of these pieces should be fun, and is sure make them an experience where the viewer can truely immerse themselves in a piece of art giving them more insight into your feelings and intentions towards the piece. |
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Art and images I like (7)
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My Friends (340)
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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