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gun, friend or foe? In the world that can never be brought to its end, the question of fatality arises – if by fatality we mean Kis` interpretation of Korney’s Sid, that is, the game of gods with the man-victim. Fatality always owes something to the sense for it begins when everything that should have happened, happened, when the style entered into what covers semantics, the myth. Using decompensation I came to the theme of metamorphosis. In front of the doors of Pluto, death has a privilege and metamorphosis is death itself, the shape of dying, the thing „behind the shape“, transferred into the new body. That new one is determined, the one who has a life, for somebody has already been wondering why we should be born out of death. To step in (to metamorph) – is the decision of the small god, the renaissance madman, ready to shoot at the Cyclops in order to protect all the rights of a dwarf, of a crazy person, of a man in the square. It is not pleasant, in the least, to be a man, for every disappearance is, in fact, impossible, has its roots and continues to live in a descendant in a sublime way. Gregory from Kafka’s Metamorphosis asks himself a question – „am I now less sensitive?“ The bug did enjoy the music, and that is in itself enoug... [ Read all ]