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My work is shaped by my sensitivity to materials and the ephemeral nature of all things monumental. Materials speak about the status and economies of a building. Structurally speaking, I am interested in the combined usage of old and new materials being used together to make new and more fluid contemporary formations. Working with industrial materials such as cement and steel, allowing materials to take on their own form. Devoid of their usual restrictions through the irregular and unpredictable processes of pouring, the work is deliberately imperfect, and free of the expected forms governed by the traditional notions of architecture.