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Thomas Von Arx
 
 
关于此艺术家

Recently I like ceramics! It is a really lovely material that you can form without too much pressure. Before I was working with wood most of the time, but that for you need a lot of power and agression! My aim is to create with my art someting like an icon, a clear picture that opens new spaces in the spirit of an observer - & that is not an easy job!

 
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Torso

2008
ceramic
60 centimetres high

Torso
female torso on ceramics with a black metalic surface

happy hare (Ekstase-Hase)

2008
wax
about 60 cm. high

happy hare (Ekstase-Hase)
My hare is a friend of orgiastic situations - always running the risk of melting in a hot spot.

values and facts (Chinese version)

2007/8
wood, paint, gold
80X85 cm

values and facts (Chinese version)
The work shuld look like an old store sign somewhere in China - a Chinese collector found it "too much Chinese".

longneck (Langhals)

2008
ceramic and wood
60 cm high

longneck (Langhals)
His is looking to the eternity, the body represents richness and classical elegance.

Tokyo stage

2001/2
wood-print on canvas
90cm x 3000cm

Tokyo stage
I made this woodprint for the stage of “Soma", a dance-improvisation at the Session House Theatre, Tokyo, Japan 2002 dance and choreography: Anna Barth, with Satoko Fujii (grand piano) and Natsuki Tamura (trumpet). Foto: Nobuko Shiga

Indio-head

2008
ceramic
30 cm high

Indio-head
It looks for me like a precolumbian sculptur, and like one of my brothers

sitting man

2009
man ceramic painted/ chair mixt media
90 cm high

sitting man
the artist as a beggar on his throne

flowerhead

2009
ceramic
78 cm high

flowerhead
nice and explosiv

Ecstatic brute

2009
ceramic
70 x 50 x 30

Ecstatic brute
We went out to enjoy the sunshine.
 
教育程度与个人自传
I was never student at an art-school. I was "learning" art, by working for galleries, Museums and Artists. So I was meeting Old Guys like Mario Merz and Master Szeemann, but many younger artists, when I was working for Kunstwerke Berlin or Eigen & Art at Berlin, too. The nicest show I could organce at the Kunstfaktor in Berlin (www.kunstfaktor.de).
 
未来的展览
27.07.2009 - 09.08.2009
at the Higure Gallery Tokyo
a group show with artists from Berlin and Tokyo will be curated by Tatsumi Orimoto. Tatsumi-San is an international artist well know for his "art-mama"-series and "bread-man"-performances. My intention is to produce for this show new ceramics in Japan. With the butoh-dancer and coreographer Anna Barth we will creat a improvised dance-piece for the garden of a temple (see also: www.annabarth.de)
 
 
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